Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
which there is said to be good fishing, once the exclusive property of
the priests of Demeter. The Thriasian plain is now seen on the right,
and by and by Eleusis itself is reached, an unattractive and unhealthy
village with about 1200 (Albanian) inhabitants, which would have no
interest for the visitor except as the birthplace of Æschylus, if it
were not for the sacred and venerable ruins on the adjoining hill.
It is a remark of Pausanias that “there is nothing on which the blessing
of God rests in so full a measure
[Illustration: CONVENT OF DAPHNI
First mentioned in 1263, the site anciently occupied by a temple of
Apollo.]
as the rites of Eleusis and the Olympian games.” These two institutions
may be said to have been in some respects the counterpart of one
another, the one being the celebration of what is commonly called life,
the other of what is known as death; the one sacred to the god who rules
in heaven, the other to the infernal or Chthonian deities.
Of the myth on which the Eleusinian rites were based the earliest
account is to be found in what is called the Homeric hymn to Demeter,
though it is known to be the work of a later writer. According to this
tale, Cora, the daughter of Zeus and Demeter (“Earth-Mother”)--otherwise
called Persephone or Proserpine--was carried off by Hades while she was
playing with her companions in a flowery meadow. Her mother sought her
for nine days and nights with the aid of torches, but without success.
Overcome with grief and deeply offended that Zeus should have permitted
such an outrage, she withdrew from the society of the gods of Olympus.
In her wanderings she came, in the guise of an old woman, to Eleusis,
where she was kindly received by the ruler Celeus and his family. For a
time she acted as nurse to his infant son Demophoon, and would have
conferred upon him immortality, had not his mother, Metaneira, been
terrified one night to see her plunging him in fire, as she was in the
habit of doing to purify him from the elements of corruption. The
goddess, incensed at the mother’s interference, revealed her divine
rank, and commanded the family to build a temple for her on the hill,
which they did; and there she dwelt for a year, during which the earth
was visited with barrenness. At length Zeus consented to restore Cora to
her mother, on condition that she should return to Hades every year and
remain with her husband in the underworld for four months while the seed
was in the ground. Before leaving Eleusis, Demeter revealed to Celeus
and three others, in whose families they were to remain, the secret
rites which she wished to be celebrated every year in her temple.
Public-domain text, read in full here on John Shaqi.
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