Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
Over the talus of the débris from the excavations on the south side of
the Acropolis we see the front of the Theatre of Herodes Atticus, with
the long portico connecting it with the Theatre of Dionysos. On the
Acropolis itself, if we proceed from left to right, are Beulé’s gate,
the Propylæa and neighbouring remains, the Erechtheum and the Parthenon.
Towering above the east end of the Acropolis is Lycabettos, with the
chapel on its summit catching the sunlight. This drawing is intended to
convey some idea of the glitter of sunlight upon the splendid series of
marble temples and monuments of the Athenian Acropolis.]
any one whose presence seemed to endanger the safety of the state. When
a vote of this nature was taken, each of the citizens could nominate for
banishment any one he chose; but unless 6000 votes were recorded the
whole proceedings fell to the ground. The measure seems a strange one,
but it provided a safety-valve for political feeling on critical
occasions before the institutions of the country had become firmly
established. In the course of the fifth century ten politicians were
ostracised, the first being Cleisthenes himself, and the last (417 B.C.)
Hyperbolus, who was made a scape-goat for Alcibiades and Nicias, the two
rival leaders of the day. By another singular enactment, directed
against movements of a factious or seditious character, it was
obligatory on every citizen, when civil commotions arose, to range
himself either on one side or the other--neutrality in such
circumstances being regarded as treason to the state.
The constitution established by Cleisthenes remained in force as long as
Athens continued to be a free state, with a few additional reforms,
which gave it a still more democratic character. The restriction of the
archonship to men of wealth was abolished, and the power of the
Areopagus, the oldest and most venerable body in Athens, embracing in
its membership all who had previously held the office of archon, was
reduced to little more than the right of adjudicating in cases of
alleged homicide. In the days of Pericles provision was made for the
payment of citizens officiating as _dicasts_ or jurymen, and a “Theoric
Fund” was also created for the purpose of defraying the expenses of
public festivals, and bestowing on each citizen the price of admission
to the theatre on such occasions. In course of time this was followed by
the payment of citizens for attendance at the meetings of the general
assembly.
In the age of Pericles the greatness of Athens reached its culminating
point, and never before had democracy been so justified by its results.
In the funeral oration delivered by Pericles on one occasion (p. 168) we
have an attractive picture of the state whose fortunes he was guiding:--
Public-domain text, read in full here on John Shaqi.
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