Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
producing a play was generally undertaken by some rich man who was
called the _choregus_, it being his duty to provide the chorus and
furnish its members with suitable dresses. In the event of the play
being successful in the competition, the _choregus_ received a prize in
the form of a tripod, which it was customary for him to set up in the
precincts of Dionysus’ temple, or in an adjoining street. Fortunately
one such monument has been preserved, which had been erected (as the
inscription tells) by Lysicrates in 335 B.C.--surmounted by a bronze
tripod, which has disappeared. Apart from its historical interest the
monument has considerable value from an architectural point of view, as
it is one of the earliest and finest specimens of the Corinthian order.
It is in the form of a small circular temple of Pentelic marble, fully
20 feet high, standing on a high square pediment of Piræic limestone 13
feet high, with a cornice of Hymettus marble. It is beautifully
decorated in a chaste and delicate style, the roof consisting of a
single leaf-shaped block of marble, and the frieze being ornamented with
scenes in the mythological history of Dionysus. For many years it served
as the library of a Capuchin convent which was built round it. The
convent was a favourite residence for Englishmen at Athens, and Lord
Byron is said to have used the interior of the monument for a study.
The theatre was often used for public meetings. It was there that it was
proposed to honour Demosthenes with a golden wreath in acknowledgment of
the signal service he had rendered to his countrymen in reviving their
courage and persuading the Thebans to join with them in resisting the
victorious advance of Philip. It was a great contrast to the treatment
he had experienced in the same place many years before, when a wealthy
Hipparch named Meidias attacked him with his fists at the very time he
was acting as _choregus_ for his tribe Pandionis. In general, great
decorum was observed in the theatre. It was not even permitted to the
officials who were responsible for maintaining order to inflict a blow
on any disorderly person, though it might be their duty to remove him by
force. That same year Demosthenes and some other leading Athenians paid
a visit to the court of Philip at Pella. Among other entertainments
which the king provided for them, his son Alexander, then a boy of ten
years of age, recited a dialogue, along with a companion, from one of
the great tragic poets of Athens. The taste for this kind of literature
never left the great prince, though his interest in natural science was
also shown by a grant of 800 talents to his former tutor, Aristotle, for
the purpose of carrying on zoological researches. When he asked Harpalus
to send him something to read during his stay in Upper Asia, the works
of Æschylus, Sophocles, and Euripides were among the few books selected.
Again, when he returned from the conquest of Egypt to Phœnicia, after
Public-domain text, read in full here on John Shaqi.
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