Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
But Athens suffered from other causes besides its own imperial pride and
the enmity of other Greek states. As Æschylus is said to have foreseen,
the virtual abolition in a political sense of the court of Areopagus,
the great representative of traditional authority, and the failure to
provide any other adequate safeguards against democratic excesses,
could not fail sooner or later to be attended with evil consequences.
That the appointment to public offices should have been made by lot, as
a general rule, and that no one, however eminent for ability and
experience, should have been eligible as a member of the Council more
than twice, shows how the public interests of the state were sacrificed
to the theory of personal equality among the citizens. Even the high
level of culture at Athens could not justify such a disregard for the
inevitable diversity of natural gifts and acquired habits in every
community. Moreover, the love of wealth and the taste for luxury, which
resulted from the increasing prosperity of the city, tended to the
deterioration of character both among the leading men, who were too open
to bribes from foreign powers, even those at war with their country, and
among the citizens at large, who were apt to become demoralised by their
wholesale payment as dicasts, and were not content with largess at the
Dionysiac festivals only. The self-denial which led the citizens in the
time of Themistocles to forgo their claim on the proceeds of the silver
mines of Laurium, amounting to ten drachms per head, in order that an
addition might be made to their naval armament, would not have been so
readily found at the close of the fourth century, when the “Theoric
Fund” had come to be spoken of as “the cement of the democracy.”
While there are scarcely any monuments of the Macedonian period now to
be seen in Athens, it is different as regards the age of Roman
supremacy.
[Illustration: THE TOWER OF THE WINDS
To the left, part of the aqueduct which supplied the water-clock; in the
background, the north side of the Acropolis, surmounted by the wall of
Themistocles.]
One of the oldest of the tributes of respect then paid by foreigners to
the famous but decaying city, is the _stoa_ of Attalus, erected by the
second king of Pergamus of that name (159-138 B.C.). The Stoa, which
formed part of the eastern boundary of the Market-place (by that time
commonly called the Cerameicus), consisted of two stories, the lower
façade having a row of forty-five Doric columns in front, with an inner
row of twenty-two Ionic columns. The latter divided the enclosed space
into two aisles, where buying and selling went on, while farther in,
behind the inner aisle, there were rooms for storing goods. The upper
story did not extend so far back, and had only one row of Doric columns,
connected by a lattice balustrade of Pentelic marble--the material of
which the columns were also made.
Public-domain text, read in full here on John Shaqi.
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