Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
In closing, a few words may be said on what may be described as one of
the burning questions of the day. For more than a century there has been
a tendency in high quarters to approximate as much as possible to
classical Greek. Especially during the last quarter of the nineteenth
century, there has been a strenuous attempt on the part of the educated
classes, backed by the authorities in Church and State, to mould the
written language according to classical forms, by restoring the old
orthography and grammatical inflexions and by expressing new ideas and
inventions in ancient terms, frequently compounded in a curious fashion.
The ideal cherished by many educated Greeks was expressed by the
Metropolitan Archbishop of Athens when he said that he hoped the time
was not far distant when they would be using the language of Xenophon,
and that if the newspapers would introduce but one new classical word a
day, they would add 70,000 words to the language in the course of twenty
years. The archaic style has been adopted by the Government in all
public documents and in the system of education; it dominates the
speeches delivered in Parliament, except when passion gets the better of
the speakers; it is approved by the Church, and is cultivated by the
newspapers and journals, and the vast majority of authors. Hence the
most of the Greek which one reads in current literature bears a strong
resemblance to that of the classical authors studied at school and
college, and a good Greek scholar has no great difficulty in reading an
Athenian newspaper, if he make himself acquainted with a few modern
particles of frequent occurrence, and have patience to make out the
meaning of the new combinations that have been devised to meet the
requirements of modern civilisation.
But side by side with this artificial language, which, though classical
upon the surface, is generally modern in style and construction, bearing
the stamp, especially, of French and English idioms--there is what may
be called the vernacular Greek, spoken more or less by all classes when
they are not on ceremony, and understood in all parts of Greece, and in
the Levant. The difference between the two does not lie merely in
pronunciation, or grammatical forms, or the occasional use of peculiar
words, such as are found in the local dialects of almost all languages;
it shows itself in the employment of different words to express the
commonest things in daily life, such as water, bread, wine. You may see
such things called by their classical names on the merchant’s signboard,
and yet if you wish to be understood when you go into the shop you must
use the popular equivalents.
Public-domain text, read in full here on John Shaqi.
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