The existence of the games in pre-Dorian times agrees entirely with the
athletic character of the Achaeans in the Peloponnese as described in
Homer; and if we find in the poet no mention of Olympia, his silence is
easily explained by the simple, local character of the festival at this
time. It will be remembered that in the funeral games of the
north-western Peloponnese chariot-racing played a prominent part. The
antiquity of this sport at Olympia is confirmed by the discovery of a
number of very early votive offerings, many of them models of horses or
chariots, found in a layer that extends below the foundations of the
Heraeum. This temple was founded, it is said, by the people of Scillus
some eight years after the coming of Oxylus; and even if we cannot go so
far as Dr. Dörpfeld, who assigns it to the tenth or eleventh centuries,
there is no doubt of its great antiquity, and that the Scilluntines were
of an Arcadian, not a Dorian stock.
Before the building of the Heraeum we must picture Olympia as a sacred
grove surrounded by a hedge interspersed with open spaces where stood
the barrow of Pelops and sundry earth altars, such as the great altar of
Zeus, or the six double altars at which the competitors offered
sacrifice. Thither the country-folk resorted to inquire of the future
from the ancient earth oracle, or perhaps, as at Dodona, from the
rustling of the leaves. These oracles were interpreted by certain
hereditary families, the Iamidae and Clytidae, who maintained their
privileges even when Dorian influence had prevailed. Thither at set
times the neighbouring tribes flocked to take part in the games held at
the tomb of Pelops. The sanctuary and festival of Olympia were in the
territory of the Pisatae, a tribal group of village communities possibly
nine in number situated on either side of the Alpheus valley, and
loosely bound together by the common worship of the hero Pelops.[49]
They took their name from the village of Pisa, perhaps on account of its
nearness to Olympia.
Public-domain text, read in full here on John Shaqi.
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