Greek Lands and LettersAllinson, Anne C. E. (Anne Crosby Emery)
History
Greek Lands and Letters
Allinson, Anne C. E. (Anne Crosby Emery)
Greece -- Description and travel; Greek literature -- History and criticism
“Go thou to Attica,
Fail not to see those great nights of Demeter,
Mystical, holy.
There thou shalt win thee a mind that is care-free
Even while living,
And when thou joinest that major assembly
Light shall thy heart be.”
CRINAGORAS, _Greek Anthology_.
Eleusis, like Delphi, was a centre of Greek religious life, but its
Panhellenism was of a later date and a direct consequence of the power
of Athens within whose territory it lay. Although the worship of
nature’s productivity, under the form of Demeter losing her daughter
Persephone within the earth and recovering her again, was indigenous
among the early Pelasgic dwellers in Eleusis, and although upon this
native cult were grafted religious beliefs and practices imported from
Thrace, it is yet true that the Eleusinian Mysteries waxed famous only
as Athens waxed great. Once established by the most powerful city of
Greece as its highest expression of religious feeling, they drew to
their modest birthplace in the recurring Septembers of many centuries
the pious and the curious from all Greek lands. The right of initiation,
originally open only to citizens of Attica, was extended to all Greeks
and later to their Roman conquerors. In this repudiation of “barbarians”
Eleusis resembled Olympia rather than Delphi, where Persian or Scyth or
African might consult Apollo.
But these three centres of Panhellenic life alike present a history
which begins in the dim age of mythology and ends, several centuries
after the beginning of our era, in the final clash of Christianity with
Paganism. Perhaps the history of Eleusis best deserves the name of
“sacred.” Playing no appreciable part in secular events, the town was
repeatedly the scene of religious events which were of unequalled
spiritual importance. Here an early nature cult, sister to savage rites
in many parts of the world, became not only a beautified worship of the
physical universe but also an expression of a hope in immortality. “The
fable of Kore (the Daughter) is as much the image of the destiny of man
after death as it is that of the reproduction of vegetative life by
means of the seed committed to the earth.”[20]
Footnote 20:
See articles by François Lenormant in the _Contemporary Review_, 1880.
Public-domain text, read in full here on John Shaqi.
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