Greek Lands and LettersAllinson, Anne C. E. (Anne Crosby Emery)
History
Greek Lands and Letters
Allinson, Anne C. E. (Anne Crosby Emery)
Greece -- Description and travel; Greek literature -- History and criticism
In literature Periander could accomplish little. The absence of the
literary gift among the Corinthians is strikingly shown by the fact that
the name of only one native poet, Eumelus, has been handed down to us,
and that he belonged to the ancient oligarchy of the eighth century. Two
lyric lines traditionally assigned to him survive, the only fragment of
Corinthian literature. Their imputed authorship indicates that Eumelus
was not without fame, since the Doric Messenians, even less literary
than the Corinthians, chose him to compose a song to Apollo to be sung
by their embassy at the great Ionian festival at Delos. But embedded in
the most important literature of Greece is an element which probably
came into life in Corinth under Periander’s patronage. The choruses of
the drama and the so-called dithyrambs or Dionysiac songs written by
such lyric poets as Pindar, Simonides, and Bacchylides, seem equally to
go back to some outgrowth of the stray wine-songs extemporized by
revellers. A favourite tradition assigned this new form to a poet called
Arion, who, though a Lesbian by birth, “composed, named, and taught the
dithyramb at Corinth.” Herodotus adds a story which takes Arion out of
the mists of tradition and places him, a sunlit figure, on the
quarter-deck of a Corinthian ship rounding Cape Tænarum on its way back
from Sicily. He had gone thither and made money, and on the return
journey the Corinthian sailors, in whom he had thought he could most
safely confide, gave him his choice of killing himself outright, if he
wished a grave on dry land, or of leaping overboard into the Ionian Sea.
In this strait Arion “begged of them, since such was their
determination, that they would give him leave to take his stand dressed
in his full regalia on the quarter-deck, and promised that from there he
would sing to them and then would make away with himself. To the sailors
it seemed a pleasant thing if they might hear the best of living
singers, and from the stern they drew off amidships. And Arion, clad in
his full costume, took his cithara and, stationed on the planking, went
through with the Orthian strain, and, when the strain was concluded,
flung himself into the sea, just as he was, in full costume dressed. Now
the ship’s crew sailed off to Corinth, but a dolphin, as they say, took
up Arion and carried him to Tænarum and he, alighting, went off, regalia
and all, to Corinth and told, on his arrival, everything that had
befallen.”
Public-domain text, read in full here on John Shaqi.
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