Greek Lands and LettersAllinson, Anne C. E. (Anne Crosby Emery)
History
Greek Lands and Letters
Allinson, Anne C. E. (Anne Crosby Emery)
Greece -- Description and travel; Greek literature -- History and criticism
Dionysus comes from the East to defend his mother’s memory and to
establish his worship in her city. Pentheus opposes him in spite of the
wisdom of Cadmus and the warnings of the soothsayer Tiresias. The god
constrains the women of Thebes, including Pentheus’s mother and her
sisters, who long ago had tempted the young Semele to her destruction,
to follow him to Mount Cithæron. Pentheus is then led to spy upon their
revels. They take him for a wild beast and his own mother tears him to
pieces. At the end, restored to an agonized reason, she becomes an exile
from her home. Cadmus goes to his fate among the Illyrians. Dionysus is
rapt from mortal sight in a cloud. It is a disputed question whether
Euripides was moved to this portrayal of a cruel godhead by the subtlest
impiety, or by a belated desire to be considered orthodox, or by a
realization of the savage power that lies at the heart of life and
cannot be gainsaid. At any rate he has woven into the plot the pathos of
which he is master, in the reiterated suggestions of the tie between
parent and child: the young god stirred to triumphant action by the
memory of his dead mother; the living mother wildly bringing her son’s
head in from the mountain, and calling upon him to come and glory in her
lion-hunting; the old father deciding to lead his daughter back from the
shadows of madness, even if the path of truth ends in grief and pain.
And the whole nexus of religion, pathos, and inherited curse is spread
before us in colours of flame.
The play is pervaded by the dances and the songs of the Mænads who have
followed Dionysus—
“From Asia, from the dayspring that uprises,”
and who irresistibly draw to their ranks the matrons and maidens of
Thebes:—
“All hail, O Thebes, thou nurse of Semele!
With Semele’s wild ivy crown thy tresses,
Oh, burst in bloom of wreathing bryony,
Berries and leaves and flowers;
Uplift the dark divine wand,
The oak-wand and the pine-wand,
And don thy fawn-skin, fringed in purity
With fleecy white, like ours.
“Oh, cleanse thee in the wands’ waving pride!
Yea, all men shall dance with us and pray,
When Bromios his companions shall guide
Hillward, ever hillward, where they stay,
The flock of the Believing,
The maids from loom and weaving
By the magic of his breath borne away.”
Public-domain text, read in full here on John Shaqi.
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