Greek Lands and LettersAllinson, Anne C. E. (Anne Crosby Emery)
History
Greek Lands and Letters
Allinson, Anne C. E. (Anne Crosby Emery)
Greece -- Description and travel; Greek literature -- History and criticism
To moderns the most familiar of all the shrines of Bœotia is that of the
Muses on Mount Helicon. So familiar, indeed, has it become through
tradition and poetry that its geographical position is as unimportant as
that of Raphael’s Parnassus. It almost perplexes us to localize Helicon
as the eastern peak, now called Zagora, of the southern portion of the
group of mountains that lie between the Copaic plain and the Gulf of
Corinth; and to know that at the northern foot of this peak still
nestles the valley, green and shady and traversed by a mountain stream,
where once foregathered the iris-haired, golden-snooded Muses.
Hippocrene even, struck out by the hoof of Pegasus as he flew toward
heaven, is identified with the modern Kryopegadi, a very cold and clear
perennial spring high up on the eastern side of the mountain within a
little green glade encircled by fir trees. Helicon is still the home of
fir-woods, oak groves and strawberry shrubs. Pausanias said that nowhere
else could the goats find sweeter berries, and nowhere else could be
found so many healing herbs. Hellebore, the ancient cure for madness,
grew here in abundance.
In spite of the almost incalculable importance of the worship of the
Muses and their pervasive presence in poetry, Greek literature scarcely
concerns itself with their localized abode. Sophocles breaks the strain
of the “Œdipus Tyrannus” by a fleeting vision of the nymphs sporting
with Dionysus on the far-off heights of Helicon. And Hesiod was inspired
to write his “Theogony” by a vision of the Muses that came to him as he
slept on the mountain “majestical, sacred:”—
“High on the summit of Helicon chorals they sing to their dancing,
Lovely, desire-enchaining, yet strong and with supple feet glancing.
Thence in tumultuous riot, with veils of the darkness enringing,
Onward they fare in the night, and lovely the voice of their singing.”
For the most part it is only in Alexandrian poetry, from which Roman
poetry derived a large part of the material which it passed on to modern
poetry, that we find Helicon and Hippocrene figuratively used as sources
of inspiration.
Public-domain text, read in full here on John Shaqi.
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