Art, Greek; Greek drama -- History and criticism; Mythology, Greek
A perfect, many-sided development of tectonic crafts, a state such as
the art of some nations has ended in, becomes for the Greeks a mere
opportunity, a mere starting-ground for their imaginative presentment
of man, moral and inspired. A world of material splendour, moulded
clay, beaten gold, polished stone;--the informing, reasonable soul
entering into that, reclaiming the metal and stone and clay, till
they are as full of living breath as the real warm body itself; the
presence of those two elements is continuous throughout the fortunes
of Greek art after the heroic age, and the constant right estimate of
their action and reaction, from period to period, its true
philosophy.
NOTES
192. +The related Greek noun technê is defined as follows: "art,
skill, regular method of making a thing." (Liddell and Scott.)
193. *Il. xviii.468-608.
193. *Od. vii.37-132.
197. +Transliteration: porpas te gnamptas th' helikas, kalukas te kai
hormous. Translation: "delicate brooches, spriralled bracelets,
rosettes, and necklaces." Homer, Iliad 18.400.
201. +Empaestik derives from the verb empaiô, "to strike in, stamp."
(Liddell and Scott.)
210. +The names are etymological--chalkos, argyros, and chrysos
signify, respectively, brass (or copper), silver, and gold.
216. +Transliteration: poikilia. Liddell and Scott definition:
"embroidery . . . (metaph.) cunning." The metaphorical sense is the
one Pater invokes.
218. +Euploea . . . Anadyomene. Euploea means "fair voyage";
Anadyomene, a participial form derived from the verb anadyô, "to
rise, esp. from the sea," (Liddell-Scott) may be rendered "she who
emerges from the sea."
222. +Transliteration: poikilia. Liddell and Scott definition:
"embroidery . . . (metaph.) cunning." The metaphorical sense is the
one Pater invokes.
BEGINNINGS OF GREEK SCULPTURE
II: THE AGE OF GRAVEN IMAGES
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