Art, Greek; Greek drama -- History and criticism; Mythology, Greek
In undergoing the action of these two opposing influences, and by
harmonising in itself their antagonism, Greek sculpture does but
reflect the larger movements of more general Greek history. All
through Greek history we may trace, in every sphere of the activity
of the Greek mind, the action of these two opposing tendencies,--the
centrifugal and centripetal tendencies, as we may perhaps not too
fancifully call them. There is the centrifugal, the Ionian, the
Asiatic tendency, flying from the centre, working with little
forethought straight before it, in the development of every thought
and fancy; throwing itself forth in endless play of undirected
imagination; delighting in brightness and colour, in beautiful
material, in changeful form everywhere, in poetry, in philosophy,
even in architecture and its subordinate crafts. In the social and
political order it rejoices in the freest action of local and
personal influences; its restless versatility drives it towards the
assertion of the principles of separatism, of individualism--the
separation of state from state, the maintenance of local religions,
the development of the individual in that which is most peculiar and
individual in him. Its claim is in its grace, its freedom and
happiness, its lively interest, the variety of its gifts to
civilisation; its weakness is self-evident, and was what made the
unity of Greece impossible. [253] It is this centrifugal tendency
which Plato is desirous to cure, by maintaining, over against it, the
Dorian influence of a severe simplification everywhere, in society,
in culture, in the very physical nature of man. An enemy everywhere
to variegation, to what is cunning or "myriad-minded," he sets
himself, in mythology, in music, in poetry, in every kind of art, to
enforce the ideal of a sort of Parmenidean abstractness and calm.
This exaggerated ideal of Plato's is, however, only the exaggeration
of that salutary European tendency, which, finding human mind the
most absolutely real and precious thing in the world, enforces
everywhere the impress of its sanity, its profound reflexions upon
things as they really are, its sense of proportion. It is the
centripetal tendency, which links individuals to each other, states
to states, one period of organic growth to another, under the reign
of a composed, rational, self-conscious order, in the universal light
of the understanding.
Public-domain text, read in full here on John Shaqi.
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