Art, Greek; Greek drama -- History and criticism; Mythology, Greek
was the Greek's truest claim for furtherance in the main line of
human development. He had been faithful, we cannot help saying, as
we pass from that youthful company, in what comparatively is perhaps
little--in the culture, the administration, of the visible world; and
he merited, so we might go on to say--he merited Revelation,
something which should solace his heart in the inevitable fading of
that. We are reminded of those strange prophetic words of the
Wisdom, the Logos, by whom God made the world, in one of [299] the
sapiential, half-Platonic books of the Hebrew Scriptures:--"I was by
him, as one brought up with him; rejoicing in the habitable parts of
the earth. My delights were with the sons of men."+
NOTES
271. +Transliteration: tymbos amphipolos. Translation: "a much
frequented tomb."
274. In some fine reliefs of the thirteenth century, Jesus himself
draws near to the deathbed of his Mother. The soul has already
quitted her body, and is seated, a tiny crowned figure, on his left
arm (as she had carried Him) to be taken to heaven. In the beautiful
early fourteenth century monument of Aymer de Valence at Westminster,
the soul of the deceased, "a small figure wrapped in a mantle," is
supported by two angels at the head of the tomb. Among many similar
instances may be mentioned the soul of the beggar, Lazarus, on a
carved capital at Vézélay; and the same subject in a coloured window
at Bourges. The clean, white little creature seems glad to escape
from the body, tattooed all over with its sores in a regular pattern.
279. +Transliteration: Ariston hydôr. Translation: "Water is best..."
The ode goes on to praise the Olympic contests. Pindar, Odes,
Book O, poem 1, line 1. The Odes of Pindar including the Principal
Fragments with an Introduction and an English Translation by Sir John
Sandys, Litt.D., FBA. Sir John Sandys. Cambridge, MA., Harvard
University Press; London, William Heinemann Ltd. 1937.
280. +Transliteration: epeôn hoimon ligyn. Translation: "the clear
strain of words [i.e. song]." Pindar, Odes, Book O., poem 9, line
47. See page 279 note for reference.
281. +Transliteration: mousikê. Liddell and Scott definition: "any
art over which the Muses presided, esp. music or lyric poetry set and
sung to music...."
288. +Transliteration: to de phya hapan kratiston. Pater's translation:
"The natural is ever best!" Pindar, Odes, Book O., poem 9, line 100.
See See page 279 note for reference.
299. +Proverbs 8.30-31.
THE END
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