Art, Greek; Greek drama -- History and criticism; Mythology, Greek
For the myth of Demeter, like the Greek religion in general, had its
unlovelier side, grotesque, unhellenic, unglorified by art,
illustrated well enough by the description Pausanias gives us of his
visit to the cave of the Black Demeter at Phigalia. In his time the
image itself had vanished; but he tells us enough about it to enable
us to realise its general characteristics, monstrous as the special
legend with which it was connected, the black draperies, the horse's
head united to the woman's body, with the carved reptiles creeping
about it. If, with the thought of this gloomy image of our mother
the earth, in our minds, we take up one of those coins [138] which
bear the image of Kore or Demeter,* we shall better understand what
the function of sculpture really was, in elevating and refining the
religious conceptions of the Greeks. Looking on the profile, for
instance, on one of those coins of Messene, which almost certainly
represent Demeter, and noting the crisp, chaste opening of the lips,
the minutely wrought earrings, and the delicately touched ears of
corn,--this trifling object being justly regarded as, in its
aesthetic qualities, an epitome of art on a larger scale,--we shall
see how far the imagination of the Greeks had travelled from what
their Black Demeter shows us had once been possible for them, and in
making the gods of their worship the objects of a worthy
companionship in their thoughts. Certainly, the mind of the old
workman who struck that coin was, if we may trust the testimony of
his work, unclouded by impure or gloomy shadows. The thought of
Demeter is impressed here, with all the purity and proportion, the
purged and dainty intelligence of the human countenance. The mystery
of it is indeed absent, perhaps could hardly have been looked for in
so slight a thing, intended for no sacred purpose, and tossed lightly
from hand to hand. But in his firm hold on the harmonies of the
human face, the designer of this tranquil head of [139] Demeter is on
the one road to a command over the secrets of all imaginative pathos
and mystery; though, in the perfect fairness and blitheness of his
work, he might seem almost not to have known the incidents of her
terrible story.
Public-domain text, read in full here on John Shaqi.
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