Art, Greek; Greek drama -- History and criticism; Mythology, Greek
One of the most curious phases of Greek civilisation which has thus
perished for us, and regarding which, as we may fancy, we should have
made better use of that old traveller's facilities, is the early
Attic deme-life--its picturesque, intensely localised variety, in the
hollow or on the spur of mountain or sea-shore; and with it many a
relic of primitive religion, many an early growth of art parallel to
what Vasari records of artistic beginnings in the smaller cities of
Italy. Colonus and Acharnae, surviving still so vividly by the magic
of Sophocles, of Aristophanes, are but isolated examples of a
widespread manner of life, in which, amid many provincial
peculiarities, the first, yet perhaps the most costly and telling
steps were made in all the various departments of Greek culture.
Even in the days of Pausanias, Piraeus was still traceable as a
distinct township, once the possible rival of Athens, with its little
old covered market by the seaside, and the symbolical picture of the
place, its Genius, visible on the wall. And that is but the type of
what there had been to know of threescore and more village
communities, each having its own altars, its special worship and
[154] place of civic assembly, its trade and crafts, its name drawn
from physical peculiarity or famous incident, its body of heroic
tradition. Lingering on while Athens, the great deme, gradually
absorbed into itself more and more of their achievements, and passing
away almost completely as political factors in the Peloponnesian war,
they were still felt, we can hardly doubt, in the actual physiognomy
of Greece. That variety in unity, which its singular geographical
formation secured to Greece as a whole, was at its utmost in these
minute reflexions of the national character, with all the relish
of local difference--new art, new poetry, fresh ventures in political
combination, in the conception of life, springing as if straight from
the soil, like the thorn-blossom of early spring in magic lines over
all that rocky land. On the other hand, it was just here that
ancient habits clung most tenaciously--that old-fashioned, homely,
delightful existence, to which the refugee, pent up in Athens in the
years of the Peloponnesian war, looked back so fondly. If the
impression of Greece generally is but enhanced by the littleness of
the physical scene of events intellectually so great--such a system
of grand lines, restrained within so narrow a compass, as in one of
its fine coins--still more would this be true of those centres of
country life. Here, certainly, was that assertion of seemingly small
interests, which brings into free play, and gives his utmost value
[155] to, the individual; making his warfare, equally with his more
peaceful rivalries, deme against deme, the mountain against the
plain, the sea-shore, (as in our own old Border life, but played out
here by wonderfully gifted people) tangible as a personal history, to
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