Art, Greek; Greek drama -- History and criticism; Mythology, Greek
The budding of new art, the survival of old religion, at isolated
centres of provincial life, where varieties of human character also
were keen, abundant, asserted in correspondingly effective incident--
this is what irresistible fancy superinduces on historic details,
themselves meagre enough. The sentiment of antiquity is indeed a
characteristic of all cultivated people, even in what may seem the
freshest ages, and not exclusively a humour of our later world. In
the earliest notices about them, as we know, the people of Attica
appear already impressed by the immense antiquity of their occupation
of its soil, of which they claim to be the very first flower. Some
at least of those old demes-men we may well fancy sentimentally
reluctant to change their habits, fearful of losing too much of
themselves in the larger stream of life, clinging to what is
antiquated as the work of centralisation goes on, needful as that
work was, [159] with the great "Eastern difficulty" already ever in
the distance. The fear of Asia, barbaric, splendid, hardly known,
yet haunting the curious imagination of those who had borrowed thence
the art in which they were rapidly excelling it, developing, as we
now see, in the interest of Greek humanity, crafts begotten of
tyrannic and illiberal luxury, was finally to suppress the rivalries
of those primitive centres of activity, when the "invincible armada"
of the common foe came into sight.
At a later period civil strife was to destroy their last traces. The
old hoplite, from Rhamnus or Acharnae, pent up in beleaguered Athens
during that first summer of the Peloponnesian war, occupying with his
household a turret of the wall, as Thucydides describes--one of many
picturesque touches in that severe historian--could well remember the
ancient provincial life which this conflict with Sparta was bringing
to an end. He could recall his boyish, half-scared curiosity
concerning those Persian ships, coming first as merchantmen, or with
pirates on occasion, in the half-savage, wicked splendours of their
decoration, the monstrous figure-heads, their glittering freightage.
Men would hardly have trusted their women or children with that
suspicious crew, hovering through the dusk. There were soothsayers,
indeed, who had long foretold what happened soon after, giving shape
to vague, supernatural terrors. And then he had crept [160] from his
hiding-place with other lads to go view the enemies' slain at
Marathon, beside those belated Spartans, this new war with whom
seemed to be reviving the fierce local feuds of his younger days.
Paraloi and Diacrioi had ever been rivals. Very distant it all
seemed now, with all the stories he could tell; for in those
crumbling little towns, as heroic life had lingered on into the
actual, so, at an earlier date, the supernatural into the heroic.
Like mist at dawn, the last traces of its divine visitors had then
vanished from the land, where, however, they had already begotten
Public-domain text, read in full here on John Shaqi.
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