Art, Greek; Greek drama -- History and criticism; Mythology, Greek
With their annual visit--visit to the Gargareans!--for the purpose of
maintaining their [162] species, parting with their boys early, these
husbandless women could hardly be supposed a very happy, certainly
not a very joyous people. They figure rather as a sorry measure of
the luck of the female sex in taking a hard natural law into their
own hands, and by abnegation of all tender companionship making shift
with bare independence, as a kind of second-best--the best
practicable by them in the imperfect actual condition of things. But
the heart-strings would ache still where the breast had been cut
away. The sisters of Antiope had come, not immediately, but in
careful array of battle, to bring back the captive. All along the
weary roads from the Caucasus to Attica, their traces had remained in
the great graves of those who died by the way. Against the little
remnant, carrying on the fight to the very midst of Athens, Antiope
herself had turned, all other thoughts transformed now into wild
idolatry of her hero. Superstitious, or in real regret, the
Athenians never forgot their tombs. As for Antiope, the conscience
of her perfidy remained with her, adding the pang of remorse to her
own desertion, when King Theseus, with his accustomed bad faith to
women, set her, too, aside in turn. Phaedra, the true wife, was
there, peeping suspiciously at her arrival; and even as Antiope
yielded to her lord's embraces the thought had come that a male child
might be the instrument of her anger, and one day judge her cause.
Public-domain text, read in full here on John Shaqi.
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