Art, Greek; Greek drama -- History and criticism; Mythology, Greek
Through much labour at length he comes to the veritable story of her
birth, like a gift direct from the goddess herself to this loyal
soul. There were those in later times who, like Aeschylus, knew
Artemis as the daughter not of Leto but of Demeter, according to the
version of her history now conveyed to the young Hippolytus, together
with some deepened insight into her character. The goddess of
Eleusis, on a journey, in the old days when, as Plato says, [170] men
lived nearer the gods, finding herself with child by some starry
inmate of those high places, had lain down in the rock-hewn cubicle
of the inner chamber, and, certainly in sorrow, brought forth a
daughter. Here was the secret at once of the genial, all-embracing
maternity of this new strange Artemis, and of those more dubious
tokens, the lighted torch, the winding-sheet, the arrow of death on
the string--of sudden death, truly, which may be thought after all
the kindest, as prevenient of all disgraceful sickness or waste in
the unsullied limbs. For the late birth into the world of this so
shadowy daughter was somehow identified with the sudden passing into
Hades of her first-born, Persephone. As he scans those scenes anew,
an awful surmise comes to him; his divine patroness moves there as
death, surely. Still, however, gratefully putting away suspicion, he
seized even in these ambiguous imageries their happier suggestions,
satisfied in thinking of his new mother as but the giver of sound
sleep, of the benign night, whence--mystery of mysteries!--good
things are born softly, from which he awakes betimes for his
healthful service to her. Either way, sister of Apollo or sister of
Persephone, to him she should be a power of sanity, sweet as the
flowers he offered her gathered at dawn, setting daily their purple
and white frost against her ancient marbles. There was more
certainly than the first breath of day in them. Was there [171] here
something of her person, her sensible presence, by way of direct
response to him in his early devotion, astir for her sake before the
very birds, nesting here so freely, the quail above all, in some
privileged connexion with her story still unfathomed by the learned
youth? Amid them he too found a voice, and sang articulately the
praises of the great goddess.
Public-domain text, read in full here on John Shaqi.
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