Greek drama (Tragedy) -- History and criticism; Mythology, Greek, in literature
Most of these once formed part of the _Ichneutæ_ (Ἰχνευταί) or
_Detectives_. Formerly we had only two brief and obscure fragments, and
one word quoted by Athenæus; it was known that the play was satyric. The
theme was quite uncertain; and conjecture[392] is now shown to have gone
quite astray. Sophocles, we find, has dramatized the myth so admirably
treated in the Homeric _Hymn to Hermes_. A considerable portion of the
work can now be read. The god Apollo announces that his cattle have been
stolen and that he cannot trace them; he offers a reward to anyone who
catches the thief. Silenus and the chorus of satyrs undertake the quest;
they are the “trackers” from whom the play is named. After a time they
spy the footprints of oxen and exclaim that “some god is leading the
colony”. A noise[393] which they cannot understand is heard behind the
scenes. The numerous tracks now give them trouble; they point backwards
here and there—“an odd confusion must have possessed the herdsman!” Next
the satyrs fall on their faces, to the amazement of Silenus who likens
this “trick of hunting on your stomach” to the position of “a hedgehog in
a bush”. They bid him listen; he importantly replies that they are not
helping “my investigation,” loses his temper, and roundly reviles their
cowardice. They recover themselves and soon arrive at a cave. Silenus
kicks at the door until the nymph Cyllene comes forth. She protests
against their boisterous behaviour, but is appeased by their apologies.
When they ask the meaning of the strange sound, Cyllene reports the birth
of the god Hermes whom she is tending within, and his amazingly rapid
growth. The noise is produced by the babe from “a vessel filled with
pleasure made from a dead beast”. The “detectives” are still perplexed;
what is this creature? The goddess describes the creature in riddling
language. They make laughably divergent guesses: a cat, a panther, a
lizard, a crab, a big-horned beetle; and at last they are told that the
beast is a tortoise. She describes the delight[394] which the child
draws from his playing. The satyrs inform Cyllene that her nursling is
the thief; she indignantly denies that a son of Zeus can have so acted,
and takes the accusation as a joke. They vigorously repeat their charge,
and begin to quarrel with Cyllene. From this point onwards practically
nothing can be made of the papyrus-scraps, except that Apollo re-appears,
and seems to be giving the “detectives” their reward.
Public-domain text, read in full here on John Shaqi.
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