Greek drama (Tragedy) -- History and criticism; Mythology, Greek, in literature
The action takes place outside Troy after its capture; in the background
is a tent wherein are captive Trojan women. Before the tent lies
Hecuba in a stupor of grief. The deities Poseidon and Athena explain
in a dialogue that they are quitting Troy with reluctance; Poseidon
will destroy the Greek fleet on its way home. When they have departed,
Hecuba stirs and laments; soon she is joined by the chorus of Trojan
women. Talthybius tells her that Cassandra is to become the concubine of
Agamemnon; concerning Polyxena he speaks evasively; Andromache is given
to Neoptolemus, Hecuba herself to Odysseus, whom she detests above all
Greeks. Cassandra rushes forward uttering in frenzy a horrible parody of
a marriage-song in her own honour; she prophesies the woes of Agamemnon
and Odysseus. Hecuba ponders her former greatness and present misery;
the chorus sing the fatal day when Troy welcomed the Wooden Horse.
Andromache and her infant Astyanax are brought in, and from her Hecuba
hears Polyxena’s death. Though prostrated by grief she urges Andromache
to please her new lord, that perchance his son may revive something of
Troy’s greatness. Talthybius returns with tidings that Astyanax is to be
hurled from the battlements. After an ode on the first siege of Troy,
Menelaus enters rejoicing in his long-deferred opportunity of slaying
Helen. Hecuba bursts into rapturous thanks to the Power which rules
mankind, and when Helen pleads innocence refutes her bitterly. Talthybius
brings in the mangled body of Astyanax over which Hecuba utters a speech
of reproachful lament. The play ends with the burning of Troy.
Public-domain text, read in full here on John Shaqi.
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