Greek drama (Tragedy) -- History and criticism; Mythology, Greek, in literature
The SUPPLICES[207] (Ἱκετίδες, “Suppliant Women”) is no doubt the earliest
of these. The scene is laid near the sea-coast, not far from Argos. The
chorus, consisting of the fifty daughters of Danaus, enter, and in their
opening song tell how they have fled from Egypt to escape marriage with
their cousins, the fifty sons of Ægyptus. These suitors have pursued them
overseas, but they call upon Zeus, who through Io is their ancestor,
to defend them. Danaus, their father, urges them to take refuge upon
the steps of the altar.[208] This they do, becoming suppliants of the
State-deities and acquiring a claim upon the citizens. The King of Argos
enters; to him the women make their appeal. He replies that he must
consult the national assembly before facing the possibility of war with
the Egyptians; meanwhile he sends Danaus into the city to engage the
compassion of the Argives. After another song by the chorus, in which
they relate the wanderings of Io and her final peace, Danaus returns
with the news that the Argive assembly is unanimous in championing the
Suppliants; the women burst forth into lyrical blessings upon the land.
Danaus, who has been upon the watch, announces the approach of the
hostile ships; he comforts his shrinking daughters, goes to fetch help,
and does not return until the danger is over.[209] After a terrified
lyric, the Egyptian herald appears, accompanied no doubt by warriors;
he harshly bids them go to the ship and submit to their masters. They
refuse. He is on the point of dragging them away when the King enters,
rebukes the herald, and defies the power of Egypt. The intruder departs
with threats of war. Danaus returns, and with his daughters is given
lodging within the city-walls. The chorus end the drama with an ode
voicing their fear of war and oppression.
Public-domain text, read in full here on John Shaqi.
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