Greek drama (Tragedy) -- History and criticism; Mythology, Greek, in literature
The story of the CHOEPHORŒ[236] (Χοηφόροι, “Libation-Bearers”) is as
follows. The back-scene throughout probably represents the palace of
Argos; in the orchestra[237] is the tomb of Agamemnon. Something like
ten years have elapsed since the usurpation of Ægisthus. Orestes, son
of the murdered king, accompanied by his friend Pylades, enters and
greets his father’s grave, laying thereon a lock of his hair in sign of
mourning; they withdraw. The chorus (led by Electra) enter—attendants
of Electra carrying libations, to be poured in prayer upon Agamemnon’s
tomb. Their song expresses their grief, hints at revenge, and explains
that they have been sent by Clytæmnestra herself, who is terrified by a
dream interpreted to signify the wrath of Agamemnon’s spirit. Electra
discusses the situation with her friends, and pours the libations over
the mound in her own name, not on behalf of her mother, calling upon
the gods and Agamemnon’s spirit to bring Orestes home and punish the
murderess. Electra discovers the tress of hair left by Orestes. That
it has come from him she knows, as it resembles her own;[238] he must
have sent it. In the midst of her excitement, she perceives footprints;
these, too, she recognizes as like her own. Suddenly Orestes appears and
reveals himself. She still doubts, but he exhibits a piece of embroidery
which she herself worked long ago. Electra falls into his arms; Orestes
explains to his friends that Apollo has sent him home as an avenger. In
a long lyrical scene (κομμός), the chorus, Electra, and Orestes invoke
Agamemnon to assume life and activity in aid of his avenger.[239] The
chorus leader tells Orestes of Clytæmnestra’s vision. She dreamed that
she gave birth to a snake, which drew blood from her breast. He expounds
this as foretelling the death of the queen at his hands. Explaining that
he and his followers will gain admission to the palace as travellers,
he departs. The maidens raise a song of astonishment at the crimes of
which mortals are capable, dwelling especially upon the treachery of an
evil woman. Orestes comes back accompanied by his followers, and tells
the porter that he brings news for the head of the house. Clytæmnestra
appears, and receives the feigned message that Orestes is dead. The queen
is apparently overwhelmed, but bids the visitors become her guests.
While the chorus utter a brief prayer for success, the aged nurse of
Orestes comes forth, in grief for the loss of her foster-son. She tells
the chorus she has been despatched by Clytæmnestra to summon Ægisthus
and his bodyguard, that he may question the strangers. They persuade her
to alter the message; let Ægisthus come unattended. When she has gone,
they raise another lyric in passionate encouragement of Orestes. Ægisthus
enters and goes into the guest-wing of the house; in a moment his scream
is heard; the chorus retire.[240] A servant of Ægisthus bursts forth,
proclaiming the death of his master. He flings himself upon the main
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account