Greek drama (Tragedy) -- History and criticism; Mythology, Greek, in literature
The poet’s clear thinking and ethical soundness are shown in his
treatment of the hereditary Curse or Até (ἄτη). Some great sin brings
this curse into being, and it oppresses the sinner’s family with an
abnormal tendency to further crime. But the descendants are not forced
to sin. The action of the curse, according to Æschylus, is upon their
imagination. When some temptation to wrong-doing occurs to them, as to
all men, they may suddenly remember the curse and exclaim in effect: “Why
struggle against this temptation? our house is ridden by an Até which
drives us to sin”. Thus they rush upon evil with a desperate gusto and
abandon. So Eteocles[297] cries:—
Since Heav’n thus strongly urges on th’ event,
Let Laius’ race, by Phœbus loathed, all, all
Before the wind sweep down the stream of Hell!
But the curse can be resisted. The house of Atreus fed its curse from
generation to generation by criminal bloodshed. But Orestes shed blood
only at the behest of Heaven, and so combined necessary vengeance with
innocence. Thus the curse was laid to rest.[298]
The revision to which he subjected the myths of popular religion is
therefore characteristic. There were four leading phenomena which it
was necessary somehow to co-ordinate if a consistent faith was to be
possible. First, there was the Olympian hierarchy, the object of the
State-religion at Athens as elsewhere. Secondly, there was Chthonian
religion or the worship of earth-powers. Thirdly, there was the vague,
less personal, power called Fate. And lastly, there was conscience,
the feeling that sin polluted the soul, not merely the hands of the
wrong-doer.[299] None of these four conceptions was by itself adequate
in the eyes of Æschylus. The Olympians, though the rulers of men and
on the whole their friends, were according to universal report stained
with all the crimes of humanity. The earth-deities ruled only by fear;
they punished but they did not inspire; nor was it clear that their
power was not somehow subordinate to that of Heaven. Fate was impersonal
and had no moral aspect on which men could base their understanding of
its law. The conception of personal righteousness had no visible basis
in the scheme of things; there was no power outside man who guaranteed
the authenticity of his thirst for holiness. When once Æschylus set
out on his self-appointed path, he brooked no obstacle. First, as to
the Olympian gods, he explains away the difficulties. Most of them are
frankly ignored,[300] edifying accounts being substituted for them; some
few are accepted with a shrug.[301] Zeus is no longer the head of a
turbulent confederacy; he has become the father and lord of powers who
obey him implicitly and derive their prerogatives from his will. The
earth-deities, as has been shown, surrender their moral functions and
become mere spirits of fertility, localized, in the case of the Furies,
upon Attic soil. Nothing, even in this writer, is more audacious than
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