Greek vase-painting (Griechische Vasenmalerei)Buschor, Ernst
History
Greek vase-painting (Griechische Vasenmalerei)
Buschor, Ernst
Vase-painting, Greek
The wonderfully living and swelling outline of these delicate kylikes
(Fig. 72) may be taken as a symbol of the style of the figures, which is
absolutely remote from abstract dryness. It often enough adopts
Corinthian-Chalkidian types as models. The ‘Phineus’ painter did not
invent of himself the warrior with head in front view; the slaying of
Troilos goes back to an old Corinthian type; the pursuit of the mounted
Penthesileia introduces, it is true, a new Eastern Amazon type in place
of the old one (which is also used in this group), but is based on the
composition of a Corinthian battle picture. What the ‘Phineus’ painter
does with his models is always distinguished by individual and genuinely
Ionic life. On the group of amphorae a fine vigorous figure style
prevails, which on the kylikes has a finer and at the same time more
delicate development. The charming Athena (Fig. 73), who now appears in
armour, and whose shield-edge the painter for decorative reasons has
doubled, the Scythian who like the mounted Amazon is at home in East
Greece, the skipping Silenus, the dog in front view would not tell us
much of this kylix-style. But fortunately the painter of the Phineus
kylix surrounded the fine Silenus mask in the interior with a continuous
frieze, the lack of which a hundred contemporary vases could not
outweigh. The wall with the vine and the lion’s head plainly divides the
frieze into two scenes: evidently a magic well, which pours wine into
the cup of the delighted Satyr. A lion, a panther and two stags draw the
chariot of the Wine-god and his consort. On the legendary team a Satyr
is making mischief; two of his colleagues are quite diverted from their
duty by the sight of three nymphs, who are bathing at a spring in a
wood. A lion’s head as spout pours into a basin the water with which
they are laving themselves; their clothes they have already hung up. The
other picture shows the blind king Phineus, from whom the Harpies have
taken the food off the table, for which he is vainly feeling; the
valiant sons of Boreas pursue the impudent thieves through the air over
the sea.
Public-domain text, read in full here on John Shaqi.
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