Either this or a similar statue of Eros was dedicated by Phryne in Thespiae, the city of her birth. Later, Praxiteles made of her a statue of gold, which was set up at Delphi between those of two kings. She also served as his model for the celebrated Aphrodite of Cnidos, which Pliny describes as "the finest statue, not only by Praxiteles, but in the whole world." The inhabitants of Cnidos placed the image, which they believed had been made under the direct inspiration of the goddess of love herself, in a beautiful shrine surrounded by myrtle trees, so arranged that the figure might be seen from many different points of view; "and from all sides," adds Pliny, "it was equally admired." Hither came Greeks from all parts of the world merely to behold the statue and to worship at the shrine of the goddess. King Nicomedes of Bithynia, in his eagerness to possess the statue, offered to pay for it the whole public debt of the island, which was enormous; but the Cnidians preferred to suffer anything rather than give up their treasure; and with good reason, "for by that statue Praxiteles made Cnidos famous." Writers of epigrams were fond of extolling the statue; and many of the extant statues of Venus are but replicas or adaptations of this great prototype, modelled after the form of Phryne. The most celebrated copy of the Cnidian statue is in the Vatican, disfigured, however, by false drapery. The statue gives us some idea of the superlative beauty of Phryne. It is very pure, very unconscious of its charms, and captivates the beholder by its simple grace and naturalness. Lucian, the aesthetic critic, in the construction of his ideal statue selected for description the head of the Aphrodite of Cnidos. He particularly admired the finely pencilled eyebrows and the melting gaze of the eyes, with their sweet, joyous expression. Phryne, with a modesty one would not expect in a woman of her class, was very careful to keep her beautiful figure concealed, avoiding the public baths and having her body always enveloped in a long and graceful tunic. But on two occasions the beauty-loving Greeks had displayed to them the charms of her person. The first was at the solemn assembly at Eleusis, on the feast of the Poseidonia. Having loosened her beautiful hair and let fall her drapery, Phryne plunged into the sea in the sight of all the assembled Greeks. Apelles, the painter, transported with admiration at the sight, retired at once to his studio and transferred to canvas the mental image which was indelibly impressed upon his fancy; and the resulting picture was the _Aphrodite Anadyomene_, the most celebrated of his paintings.