"Green Balls" : The Adventures of a Night-BomberBewsher, Paul
History
"Green Balls" : The Adventures of a Night-Bomber
Bewsher, Paul
World War, 1914-1918 -- Aerial operations
"_Aviation Navale Anglaise!_" we chant as we pass. Well they know the
Royal Naval Air Service whose cars have haunted the roads now for many
years. Well they know whose are the fighting scouts that rise up towards
the skies above Dunkerque.
Through La Panne we clatter, and then the feeling in the air begins
somehow to change. We sense now that the lines are nearer, and indeed
they are only eight miles away. We pass through an area full of hutments
and dumps and depots of various descriptions. The increasing number of
notices and signs give unmistakable evidence of our proximity to the
zone of action. The roads are now packed with lorries and cars through
which we can hardly pass. On the left all the time is the unbroken line
of the grass-covered sand-dunes hiding the not-far-distant sea from our
eyes. Then suddenly the traffic thins and vanishes. We turn a corner and
face a stretch of empty road, and know that now we are really near the
front. Half-way down the road we pass a look-out tower built up among
the trees, and near by is a warning notice.
The road is absolutely empty, and we begin to feel a little nervous. We
come to another corner by which is a wrecked house, in a corner of
which, however, the inhabitants are still dwelling. All round are shell
craters filled with suspiciously fresh yellow clay. Here and there
broken trees lean sadly against their neighbours. I see an officer in
khaki near by and I hail him.
"Is it far to the lines?"
"Straight up the road--I wouldn't take your car any farther than the end
of the trees, though, and if I were you I should leave this corner. The
Huns are rather fond of it, as we have got a battery here. They fired a
hundred and fifty shells, mostly six-inch, after tea yesterday!"
"Push on, driver!"
Down the road we move swiftly between the splintered trees of a little
wood. On the left are tattered canvas screens on frames. In some places
great holes have been torn in them by shell-fire and the ragged fabric
trails downward towards the ground. A whistling sound steals faintly on
to our ears; it grows louder and deeper, with a sense of progression,
and it ends in a heavy crash somewhere to our left. Again and again we
hear the shrill whine deepen to a roar, and end in a burst--as large
shells sail over to some hidden mark near the coast.
We are beginning to feel a little nervous, but are very keen to go on.
It is a weird drive in this still deserted road, with its
roughly-filled shell-holes and its broken leaning trees on either side.
The wood ends on the outskirts of the town, which lies in front of us, a
queer panorama of wrecked buildings of pink brick whose bared and
half-broken roof rafters lie against the sky like some dismal and
gigantic snake, while the whole has the unreal aspect of stage scenery.
Public-domain text, read in full here on John Shaqi.
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