Greensea Island: A Mystery of the Essex CoastBridges, Victor
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Greensea Island: A Mystery of the Essex Coast
Bridges, Victor
Adventure stories; Detective and mystery stories; England -- Fiction; Inheritance and succession -- Fiction
"I wanted to see you," I said simply.
She gave a terrified glance round in the direction of the house.
"I can't talk to you here. Don't you see how impossible it is? You
must go away at once."
I shook my head. "Not till we've fixed up something," I said. "Tell
me where I can meet you, and I'll clear out immediately."
She answered me with a look of distress that made me feel an absolute
brute.
"Christine dear," I whispered passionately, "I must see you and talk
to you. It's the only thing in the world that matters the least to
me."
For a moment there was no reply. She seemed to be making a desperate
attempt to come to some decision.
"I shall be in Shalston to-morrow," she said at last, in the same
hurried whisper. "There is a shop next to the station--a
confectioner's shop with a small room upstairs. If you will be there
at half-past three I will try and meet you."
I was about to say something, but with an almost piteous movement of
her hands she interrupted me.
"No, no," she said. "Don't stop here. Go at once--please--for my
sake."
There may be stout-hearted people in the world who could resist an
appeal like this, but I am certainly not one of them. I let my eyes
dwell in a long, refreshing look on her dear up-turned face (it was a
look which had to last me for over twenty-four hours), and then,
without another word, I slipped back noiselessly out of sight.
As a Yankee mate I once knew used to say, it could "snow pink" for
all I cared. When you love somebody as I love Christine, the thought
of meeting them becomes so absorbing that it is precious difficult to
take anything else seriously. In the light of what had just happened
I felt that all my previous ideas required an immediate and thorough
spring cleaning, but for the time being such a mental effort was
hopelessly beyond me. My brain seemed to be wholly occupied in
repeating those two magic phrases, "Half-past three" and "The shop
next the station," which kept chasing each other through my head like
some beautiful refrain.
The only practical point which I did manage to grasp was the
important fact that I must get away without being seen. As far as
anyone in the house was concerned this feat appeared to be simplicity
itself; the danger was that I might run into Manning. I was still
very much in the dark about his relations with Christine, but,
whatever they were, it would be fatal to let him suppose that I had
been hanging about in the neighbourhood of "The Laurels." Besides,
if I met him now I should probably be unable to resist the desire to
kick him, which would certainly complicate matters to a most
unfortunate extent.
Under the circumstances, it seemed to me that my best plan was to
work my way round the hedge, and get out into the main road at the
top of the hill. This would allow Manning a comfortable start, and
it would also give me the additional advantage of being able to see
whether the coast was dear.
Public-domain text, read in full here on John Shaqi.
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