There is a Dead Man's Chest too,--and if you open it you will find a
ladder leading down into mysterious depths unknown. If you are very
adventurous you will climb down and bump your head against the cellar
ceiling and inspect what is going to be a subterranean grotto as soon
as it can be fitted up. You climb up again and sit in the dim, smoky
little room and look about you. It is the most perfect pirate's den
you can imagine. On the walls hang huge casks and kegs and wine
bottles in their straw covers,--all the signs manual of past and
future orgies. Yet the "Pirate's Den" is "dry"--straw-dry, brick-dry
--as dry as the Sahara. If you want a "drink" the well-mannered
"cut-throat" who serves you will give you a mighty mug of ginger ale
or sarsaparilla. And if you are a real Villager and can still play at
being a real pirate, you drink it without a smile, and solemnly
consider it real red wine filched at the edge of the cutlass from
captured merchantmen on the high seas. On the big, dark centre table
is carefully drawn the map of "Treasure Island."
The pirate who serves you (incidentally he writes poetry and helps to
edit a magazine among other things) apologises for the lack of a
Stevensonian parrot.
"A chap we know is going to bring one back from the South Sea
Islands," he declares seriously. "And we are going to teach it to say,
'Pieces of eight! Pieces of eight!'"
If, while you are at the "Pirate's Den" you care to climb a rickety, but
enchanted staircase outside the old building (it's pre-Revolutionary, you
know) you will come to the "Aladdin Shop"--where coffee and Oriental
sweets are specialties. It is a riot of strange and beautiful
colour--vivid and Eastern and utterly intoxicating. A very talented and
picturesque Villager has painted every inch of it himself, including the
mysterious-looking Arabian gentleman in brilliantly hued wood, who sits
cross-legged luring you into the little place of magic. The wrought iron
brackets on the wall are patches of vivid tints; the curtains at the
windows are colour-dissonances, fascinating and bizarre. As usual there
is candlelight. And, as usual, there is the same delicious spirit of
seriously and whole-heartedly playing the game. While you are there you
are in the East. If it isn't the East to you, you can go away--back to
Philistia.
And speaking of candlelight. I went into the poets' favourite "Will o'
the Wisp" tea shop once and found the gas-jet lighted! The young girl
in charge jumped up, much embarrassed, and turned it out.
"I'm so sorry!" she apologised. "But I wanted to _see_ just a moment,
and lighted it!"
I peered at her face in the ghostly candlelight. It was entirely and
unmistakably earnest.
Just the same, Mrs. Browning's warning that "colours seen by
candlelight do not look the same by day" is not truly applicable to
these Village shrines. Even under the searching beams of a slanting,
summer afternoon sun, they are adorable. Go and see if you don't
believe this.
Public-domain text, read in full here on John Shaqi.
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