Grey Wethers: A Romantic NovelSackville-West, V. (Victoria)
General
Grey Wethers: A Romantic Novel
Sackville-West, V. (Victoria)
Great Britain -- Social life and customs -- 20th century -- Fiction; Romance fiction; Social classes -- Fiction
But she returned
to the fragile eighteenth century statuettes. He let her have her
way, tolerant, determined not to force her interest. He watched her.
There was about the little terra cotta groups a false paganism, a
windy grace, that intrigued and allured her. Here was something that
she could nearly understand; nearly, if not quite; not quite, for
there was still something, or the lack of something, which troubled
her; she could not put a name to it, consider how she might, with a
pucker between her brows. These dimpled children, with the thighs
and hoofs of goats,--these girls with draperies blown by the wind at
the moment when the sculptor caught and fixed them motionless for
ever,--these young men with slanting eyes and laughing mouths,--of what
did they remind her? and in what were they so evasively deficient?
She circled round the table on which they stood. Calladine’s eyes
followed her in amusement. She was puzzled, this nymph who was so much
more like a nymph than any nymph that Clodion ever made, puzzled by
the drawing-room _faroucherie_ of these false fugitives. “A little
self-conscious, you find them?” he had murmured at last.
But the artistic education of Clare proved a game that had palled. She
had gone clean through his objects of virtue, and had come out the
other side. She seemed to have been briefly deluded by them, then to
have sized them up, to have detected their essential fraud, and to have
discarded them from her interest. Mortified though he was, he perceived
somewhere in himself a respect for her pure, uneducated instinct.
Still, as this was a thing he could not, out of self-respect, admit, he
continued at intervals his efforts to guide her feet into the paths he
himself found so pleasant. He liked to sit within doors re-ordering his
books and his treasures, while the snow drifted up against the windows
and the wind cried unappeasably across the Downs. “Why are you staring
out at that ugly landscape, Clare? Don’t you like the fire better, and
a chair, and a book to read?” But she read very seldom; only once,
when she had been reading, he saw to his consternation that tears were
falling silently down her cheeks, and, going up behind her, he had seen
over her shoulder that Shelley lay open on her knee:
If I were a dead leaf thou mightest bear,
If I were a swift cloud to fly with thee,
A wave to pant beneath thy power, and share
The impulse of thy strength, only less free
Than thou, O uncontrollable!...
“Clare, why so silent? I declare, you’ve grown more meditative than
I,--where’s your irresponsibility? is the dignity of marriage so heavy
upon you? Were you as silent with your friend Lovel? didn’t you prattle
to _him_? eh, tell me?”
“What funny questions you ask, Richard. Lovel? I don’t remember. No, I
don’t think I ever talked much to Lovel.”
“Well, but in all those hours you spent, riding with him, fishing, and
I don’t know what else....”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account