Grey Wethers: A Romantic NovelSackville-West, V. (Victoria)
General
Grey Wethers: A Romantic Novel
Sackville-West, V. (Victoria)
Great Britain -- Social life and customs -- 20th century -- Fiction; Romance fiction; Social classes -- Fiction
But in the meantime the spectacle before their eyes was quite different
from those evoked by their imaginations. It might be true that Lovel
looked lean and stern, and that Olver followed the ceremony in that
slanting way within his little round mirror, but the words the
clergyman uttered were the same that they were accustomed to hear at
all respectable unions, and as for Daisy, she was the picture of all
a bride ought to be, muslin flounces and coyness, and if her figure
was a little oddly thickened, why, that also was a thing that had been
seen before at village weddings. She looked pleased with her young man;
she kept glancing proudly at his height; she sniggered with content as
he repeated the beautiful threadbare words after the priest, repeated
them gravely and firmly, but as though he were utterly indifferent
to the obligations they imposed upon him. There was nothing very
startlingly unusual about the wedding. True, neither Daisy’s father
nor her mother were present, but the whole village knew that Lovel was
marrying the girl because he had got her into trouble, and it was not
likely that the Morlands, steady and decent folk, would be present to
give the sanction of their approval. Perhaps later on, when the child
was born, they might come round; for the moment, no doubt,--and very
naturally,--they were sore over both the cause of the marriage and the
son-in-law imposed upon them. Daisy did not seem to care. Ever since
the publication of her banns she had gone about flaunting as though her
marriage were a reason for pride rather than for shame and apology.
Not that the village saw much shame in circumstances so common. It
had, rather, a certain respect for Daisy, who, having set her heart on
the gipsy,--a strange taste, but that was her business,--had at last
got him to the altar. There was a tacit convention that a girl was
justified in using all her weapons if she could not otherwise carry
her point: and there was also, in the present instance, a peculiar
satisfaction in feeling that the gipsy had been worsted. So grand, so
stuck-up, Nicholas Lovel, but a girl had got the better of him in the
end.
Public-domain text, read in full here on John Shaqi.
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