Grisly Grisell; Or, The Laidly Lady of Whitburn: A Tale of the Wars of the RosesYonge, Charlotte M. (Charlotte Mary)
History
Grisly Grisell; Or, The Laidly Lady of Whitburn: A Tale of the Wars of the Roses
Yonge, Charlotte M. (Charlotte Mary)
Great Britain -- History -- Wars of the Roses, 1455-1485 -- Fiction
Then came more instruments, and a body of gay green archers; next heralds
and pursuivants, one for each of the Duke’s domains, glittering back and
front in the tabard of his county’s armorial bearings, and with its
banner borne beside him. Then a division of the Duke’s bodyguard, all
like himself in burnished armour with scarves across them. The nobles of
Burgundy, Flanders, Hainault, Holland, and Alsace, the most splendid body
then existing, came in endless numbers, their horses, feather-crested as
well as themselves, with every bridle tinkling with silver bells, and the
animals invisible all but their heads and tails under their magnificent
housings, while the knights seemed to be pillars of radiance. Yet even
more gorgeous were the knights of the Golden Fleece, who left between
them a lane in which moved six white horses, caparisoned in cloth of
gold, drawing an open litter in which sat, as on a throne, herself
dazzling in cloth of silver, the brown-eyed Margaret of old, her dark
hair bride fashion flowing on her shoulders, and around it a
marvellously-glancing diamond coronet, above it, however, the wreath of
white roses, which her own hands had placed there when presented by the
novice. Clemence squeezed Grisell’s hand with delight as she recognised
her own white rose, the finest of the garland.
Immediately after the car came Margaret’s English attendants, the
stately, handsome Antony Wydville riding nearest to her, and then a bevy
of dames and damsels on horseback, but moving so slowly that Grisell had
full time to discover the silver herrings on the caparisons of one of the
palfreys, and then to raise her eyes to the face of the tall stately lady
whose long veil, flowing down from her towered head-gear, by no means
concealed a beautiful complexion and fair perfect features, such as her
own could never have rivalled even if they had never been defaced. Her
heart sank within her, everything swam before her eyes, she scarcely saw
the white doves let loose from the triumphant arch beyond to greet the
royal lady, and was first roused by Ridley’s exclamation as the knights
with their attendants began to pass.
“Ha! the lad kens me! ’Tis Harry Featherstone as I live.”
Much more altered in these seven years than was Cuthbert Ridley, there
rode as a fully-equipped squire in the rear of a splendid knight, Harry
Featherstone, the survivor of the dismal Bridge of Wakefield. He was
lowering his lance in greeting, but there was no knowing whether it was
to Ridley or to Grisell, or whether he recognised her, as she wore her
veil far over her face.
This to Grisell closed the whole. She did not see the figure which was
more to her than all the rest, for he was among the knights and guards
waiting at the Cour des Princes to receive the bride when the final
ceremonies of the marriage were to be performed.
Public-domain text, read in full here on John Shaqi.
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