Grisly Grisell; Or, The Laidly Lady of Whitburn: A Tale of the Wars of the RosesYonge, Charlotte M. (Charlotte Mary)
History
Grisly Grisell; Or, The Laidly Lady of Whitburn: A Tale of the Wars of the Roses
Yonge, Charlotte M. (Charlotte Mary)
Great Britain -- History -- Wars of the Roses, 1455-1485 -- Fiction
Nor did her face light up as his did while he pointed out to Grisell the
beauteous belfry, rising on high above the many-peaked gables, though she
did smile when a long-billed, long-legged stork flapped his wings
overhead, and her husband signed that it was in greeting. The greeting
that delighted him she could not hear, the sweet chimes from that same
tower, which floated down the stream, when he doffed his cap, crossed
himself, and clasped his hands in devout thanksgiving.
It was a wonderful scene of bustle; where vessels of all kinds thronged
together were drawn up to the wharf, the beautiful tall painted ships of
Venice and Genoa pre-eminent among the stoutly-built Netherlanders and
the English traders. Shouts in all languages were heard, and Grisell
looked round in wonder and bewilderment as to how the helpless and
precious charge on the deck was ever to be safely landed.
Lambert, however, was truly at home and equal to the occasion. He
secured some of the men who came round the vessel in barges clamouring
for employment, and—Grisell scarce knew how—Leonard on his bed was lifted
down, and laid in the bottom of the barge. The big bundles and cases
were committed to the care of another barge, to follow close after
theirs, and on they went under, one after another, the numerous
high-peaked bridges to which Bruges owes its name, while tall
sharp-gabled houses, walls, or sometimes pleasant green gardens, bounded
the margins, with a narrow foot-way between. The houses had often
pavement leading by stone steps to the river, and stone steps up to the
door, which was under the deep projecting eaves running along the front
of the house—a stoop, as the Low Countries called it. At one of
these—not one of the largest or handsomest, but far superior to the old
home at Sunderland—hung the large handsome painted and gilded sign of the
same serpent which Grisell had learnt to know so well, and here the barge
hove to, while two servants, the man in a brown belted jerkin, the old
woman in a narrow, tight, white hood, came out on the steps with
outstretched hands.
“Mein Herr, my dear Master Lambert. Oh, joy! Greet thee well. Thanks
to our Lady that I have lived to see this day,” was the old woman’s cry.
“Greet thee well, dear old Mother Abra. Greet thee, trusty Anton. You
had my message? Have you a bed and chamber ready for this gentleman?”
Such was Lambert’s hasty though still cordial greeting, as he gave his
hand to the man-servant, his cheek to his old nurse, who was mother to
Anton. Clemence in her gentle dumb show shared the welcome, and directed
as Leonard was carried up an outside stone stair to a guest-chamber, and
deposited in a stately bed with fresh, cool, lace-bordered,
lavender-scented sheets, and Grisell put between his lips a spoonful of
the cordial with which Lambert had supplied her.
More distinctly than before he murmured, “Thanks, sweet Eleanor.”
Public-domain text, read in full here on John Shaqi.
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