They come to the two holdings farthest down; easy to see they are
nearing the village now; both the houses have white curtains in the
little window facing toward the road, and a flag-pole stuck up on top
of the hayloft for Constitution Day. "'Tis Isak himself," said folk on
the two new farms as the cart went by.
At last Eleseus gives over thinking of his own affairs and his own
precious self enough to ask: "What you driving down for today?"
"H'm," says his father. "'Twas nothing much today." But then, after
all, Eleseus was going away; no harm, perhaps, in telling him. "'Tis
blacksmith's girl, Jensine, I'm going down for," says his father; ay,
he admits so much.
"And you're going down yourself for that? Couldn't Sivert have gone?"
says Eleseus. Ay, Eleseus knew no better, nothing better than to think
Sivert would go down to the smith's to fetch Jensine, after she had
thought so much of herself as to leave Sellanraa!
No, 'twas all awry with the haymaking the year before. Inger had put
in all she could, as she had promised. Leopoldine did her share too,
not to speak of having a machine for a horse to rake. But the hay
was much of it heavy stuff, and the fields were big. Sellanraa was a
sizeable place now, and the women had other things to look to besides
making hay; all the cattle to look to, and meals to be got, and all
in proper time; butter and cheese to make, and clothes to wash, and
baking of bread; mother and daughter working all they could. Isak was
not going to have another summer like that; he decided without any
fuss that Jensine should come back again if she could be got. Inger,
too, had no longer a word against it; she had come to her senses
again, and said: "Ay, do as you think best." Ay, Inger was grown
reasonable now; 'tis no little thing to come to one's senses again
after a spell. Inger was no longer full of heat that must out, no
longer full of wild blood to be kept in check, the winter had cooled
her; nothing beyond the needful warmth in her now. She was getting
stouter, growing fine and stately. A wonderful woman to keep from
fading, keep from dying off by degrees; like enough because she had
bloomed so late in life. Who can say how things come about? Nothing
comes from a single cause, but from many. Was Inger not in the best
repute with the smith's wife? What could any smith's wife say against
her? With her disfigurement, she had been cheated of her spring, and
later, had been set in artificial air to lose six years of her summer;
with life still in her, what wonder her autumn gave an errant growth?
Inger was better than blacksmiths' wives--a little damaged, a little
warped, but good by nature, clever by nature ... ay....
Father and son drive down, they come to Brede Olsen's lodging-house
and set the horse in a shed. It is evening now. They go in themselves.
Public-domain text, read in full here on John Shaqi.
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