Then, between seasons, he got his sawmill roofed in, and could set to
work putting up the machine parts. And look you, 'twas no marvel of
fine woodwork he had set up, but strong it was, as a giant of the
hills, and stood there to good use. The saw could work, and cut as a
sawmill should; Isak had kept his eyes about him down in the village,
and used them well. It was hearty and small, this sawmill he had
built, but he was pleased with it; he carved the date above the
doorway, and put his mark.
And that summer, something more than usual did come about after all at
Sellanraa.
The telegraph workers had now reached so far up over the moors that
the foremost gang came to the farm one evening and asked to be lodged
for the night. They were given shelter in the big barn. As the days
went on, the other gangs came along, and all were housed at Sellanraa.
The work went on ahead, passing the farm, but the men still came
back to sleep in the barn. One Saturday evening came the engineer in
charge, to pay the men.
At sight of the engineer, Eleseus felt his heart jump, and stole out
of the house lest he should be asked about that coloured pencil. Oh,
there would be trouble now--and Sivert nowhere to be seen; he would
have to face it alone. Eleseus slipped round the corner of the house,
like a pale ghost, found his mother, and begged her to tell Sivert to
come. There was no help for it now.
Sivert took the matter less to heart--but then, he was not the chief
culprit. The two brothers went a little way off and sat down, and
Eleseus said: "If you'd say it was you, now!"
"Me?" said Sivert.
"You're younger, he wouldn't do anything to you."
Sivert thought over it, and saw that his brother was in distress; also
it flattered him to feel that the other needed his help.
"Why, I might help you out of it, perhaps," said he in a grown-up
voice.
"Ay, if you would!" said Eleseus, and quite simply gave his brother
the bit of pencil that was left. "You can have it for keeps," he said.
They were going in again together, but Eleseus recollected he had
something he must do over at the sawmill, or rather, at the cornmill;
something he must look to, and it would take some time--he wouldn't be
finished just yet. Sivert went in alone.
There sat the engineer, paying out notes and silver, and when he had
finished, Inger gave him milk to drink, a jug and a glass, and he
thanked her. Then he talked to little Leopoldine, and then, noticing
the drawings on the walls, asked straight out who had done that. "Was
it you?" he asked, turning to Sivert. The man felt, perhaps, he owed
something for Inger's hospitality, and praised the drawings just to
please her. Inger, on her part, explained the matter as it was: it was
her boys had made the drawings--both of them. They had no paper till
she came home and looked to things, so they had marked all about the
walls. But she hadn't the heart to wash it off again.
Public-domain text, read in full here on John Shaqi.
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