Guatemala : $b the land of the quetzal; a sketchBrigham, William Tufts
History
Guatemala : $b the land of the quetzal; a sketch
Brigham, William Tufts
Central America -- Bibliography; Guatemala -- Antiquities; Guatemala -- Description and travel
About noon we came to Jutiapa, situated on a plain through which the
Rio Salado has cut a deep valley. We entered by a gateway and found the
Plaza. This was paved, and in the midst a dribbling fountain indicated a
very insufficient water-supply for the town. Before us was the church,
behind us the Casa Nacional, and the other sides were occupied by stores
and the house of the Jefe. Our anxious inquiries for a posada were met
with the too frequent answer that there was no such thing here in this
town of some twelve hundred inhabitants. Good fortune directed us to
inquire of a person in a shop at a corner just beyond the church; and
this resulted in a most hospitable invitation to the house of Señor
Alonzo Rozales, a Spanish gentleman whose name will be always a charm
to conjure by. He gave us a large room opening to the street as well
as into the patio, and we at once felt at home. We had walked many
miles, I leading, Frank driving, the poor tired animals. It was fifteen
leagues from Cuilapa to Jutiapa, and the road was very hard and maiz
very scarce. We were obliged to wait here for our mozos, whom we had
sent from Guatemala but had not overtaken on the road; and we were happy
enough that the necessary delay came in so comfortable a place. Our host
brought us new mats for our bedsteads, and pillows trimmed with lace in
Spanish style; then, after killing a very large and crusty scorpion which
had established himself over the door, presented us with a bottle of Val
de Peña,—a fine red wine from Spain,—and left us to our rest.
Sunday morning came, but no signs of our mozos. The church was closed,
as there was no resident padre; we got in, however, while an attendant
opened it to do some work on the bells. The roof was apparently arranged
for a fortification. Within we saw the skull of an Indio (?) built into
the stucco over the _agua bendita_, and a painting representing a padre
offering the consecrated wafer to a kneeling ass,—apparently in the
office of the communion, as the padre holds the chalice in his other
hand. A figure in the background—perhaps the owner of the ass—has long
mustachios, wears a turban, and holds up his hands in astonishment. No
explanation of this curious subject could be obtained there; and after
rejecting Balaam and his ass, we concluded that this was the ass on which
Christ rode to Jerusalem. As volcanoes are baptized into the Church, why
not asses?
Public-domain text, read in full here on John Shaqi.
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