Guatemala : $b the land of the quetzal; a sketchBrigham, William Tufts
History
Guatemala : $b the land of the quetzal; a sketch
Brigham, William Tufts
Central America -- Bibliography; Guatemala -- Antiquities; Guatemala -- Description and travel
Now, with all this we expected to see something remarkable, but saw
only an ordinary altar-piece, with plain curtains before the miraculous
image. It was not a holy-service time, consequently the curtains could
not be raised; the padre, however, after sending Frank’s revolver out
of the holy place, took us behind the altar and admitted us to a small
glass room where the black image stands. It was much less than life
size, very black,—painted, however, only by time,—inferior in conception
and execution, and wearing long female hair. Ex-voto pictures and gold
and silver images and tokens hung upon and around this figure, and in
the same chamber were figures of Joseph and Mary, together with angels
with cotton-wool wings. It was impossible for me to feel any of the awe
with which past generations of Indios have regarded this black Christ.
My imagination is not wholly dulled, and I have felt curious sensations
before the horrible idols of the Pacific islanders, before the placid
features of a gigantic Buddha, in the Hall of Gods at Canton, and
before the Jove of the Vatican. I have been in the holy places of many
nations, and have felt a sympathy with the worshippers; even the black
cliffs of the supposed Sinai have led my thoughts captive. But here in
Esquipulas there was nothing but the husk,—nothing solemn, nothing holy;
the portrait of Figueroa was the most respectable thing in the church.
It was, moreover, no strange thing to pass into the vestry and overhaul
the boxes of gold and silver ex-votos; these we could purchase at so
much an ounce. They were indeed, as our new friend Dr. José declared,
“very curibus.” All parts of the human body, healthy or diseased, many
animals, and other objects of human desire or solicitude, were to be
found here. To our matter-of-fact Northerners it may be necessary to
explain the theory and object of these works of native _platerías_.
Medical men and surgeons are almost unknown in the remote regions of
Central America, and a sick or injured man, while applying all known
remedies, sends also to the nearest _platero_, or silversmith (common
enough among the aborigines), and has a model of the affected part made;
this token some friend, if the patient be unable to make the journey
himself, carries to the mysterious image, whose power to heal he devoutly
believes in. It is a faith, rather than a mind, cure. The barren woman
in the northern climes, instead of being bowed down with her sad lot,
obtains an easy consolation in a pug or lap-dog; but her Indian sister
takes a truer view of the purpose of her life, and in her prayerful
longing devotes in effigy the coveted offspring,—much as Hannah, the
wife of Elkanah, devoted the unbegotten Samuel to the Lord. Like the
Hebrew barren wife, the Indian goes up on a pilgrimage to the most sacred
shrine, makes her offering, and breathes her prayer. The Eli of the
Sanctuary bids her “go in peace.”
Public-domain text, read in full here on John Shaqi.
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