Guatemala : $b the land of the quetzal; a sketchBrigham, William Tufts
History
Guatemala : $b the land of the quetzal; a sketch
Brigham, William Tufts
Central America -- Bibliography; Guatemala -- Antiquities; Guatemala -- Description and travel
We entered a clearing, some four hundred feet square, made only the
year before, but already covered with undergrowth, so that our men had
to use their machetes freely to expose the stones. The level was low
and the soil full of water, which stood in pools here and there. On our
left was a mound, more than two hundred feet long, which we did not
inspect, and in front of this were placed three monoliths. The first
(A) was the smallest; the second (B) was four feet wide, three feet
deep, and perhaps sixteen feet high; the third (C) was four feet nine
inches wide, two feet nine inches deep, and eighteen feet high. Both
B and C stood on irregular ends, and the tops of all were left much
as they came from the quarry. Two taller ones stood on the opposite
side of the clearing. One (F) was inclined (as it was to a much less
extent when Mr. Catherwood made his drawing, forty years ago), and the
under side has been protected from the weather, so that the face is
well preserved, the large nose being intact. This face, unlike the one
on the opposite side, is below the general level of the sculptures,
suggesting a substitution of the present portrait for the original one.
The inclination is about thirty-six degrees from the vertical; and as
the stone is about twenty-five feet above ground, it must be wedged with
large foundation-stones, or be buried deep in the soft earth.
[Illustration: MONOLITH AT QUIRIGUA, E.]
[Illustration: Monolith at Quirigua, F.]
Of all the portraits cut upon these stones, this leaning monolith has
the most remarkable. The hands and feet are represented in the same
conventional manner as on the stone marked E; but the immense size of the
nose, as well as of the ears, distinguishes it from all others. The cast
of countenance is very Egyptian. On many of these sculptures are seen
indications of the worship of the cross (as in the figure on the reverse
of E), although this symbol is usually of complicated form, as on the
celebrated tablet at Palenque. The monolith B has on the breast, in place
of the cross, the double triangle, sometimes called Solomon’s Seal, and,
like the cross, a well-known symbol of primitive worship. The nose of the
figure on what is now the upper side of F, is broken, but was of large
size originally.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account