Through some official at the Court of Probate, I fancy that Mr.
Worboise had heard of a caveat having been entered with reference to
the will of Mr. Richard Boxall, deceased. I do not know that this was
the case, but I think something must have occurred to irritate him
against those whom he, with the law on his side, was so sorely tempted
to wrong. I know that the very contemplation of wrong is sufficient
to irritate, and that very grievously, against one thus contemplated;
but Lucy would have been a very good match, though not equal to Miss
Hubbard, even in Mr. Worboise's eyes. On the other hand, however, if he
could but make up, not his mind, but his conscience, to take Boxall's
money, he would be so much the more likely to secure Miss Hubbard's;
which, together with what he could leave him, would make a fortune over
two hundred thousand--sufficient to make his son somebody. If Thomas
had only spoken in time, that is, while his father's conscience still
spoke, and before he had cast eyes of ambition toward Sir Jonathan's
bankers! All that was wanted on the devil's side now was some personal
quarrel with the rightful heirs; and if Mr. Worboise did not secure
that by means of Mr. Sargent's caveat, he must have got it from
what had happened on the Monday morning. Before Thomas came down to
breakfast, the postman had delivered a letter addressed to him, with
the Hastings postmark upon it.
When Thomas entered, and had taken his seat, on the heels of the usual
cool _Good-morning_, his father tossed the letter to him across the
table, saying, more carelessly than he felt:
"Who's your Hastings correspondent, Tom?"
The question, coming with the sight of Lucy's handwriting, made the
eloquent blood surge into Tom's face. His father was not in the way of
missing anything that there was to see, and he saw Tom's face.
"A friend of mine," stammered Tom. "Gone down for a holiday."
"One of your fellow-clerks?" asked his father, with a dry significance
that indicated the possible neighborhood of annoyance, or worse. "I
thought the writing of doubtful gender."
For Lucy's writing was not in the style of a field of corn in a
hurricane: it had a few mistakable curves about it, though to the
experienced eye it was nothing the less feminine that it did not affect
feminity.
"No," faltered Tom, "he's not a clerk; he's a--well, he's a--teacher of
music."
"Hm!" remarked Mr. Worboise. "How did you come to make his
acquaintance, Tom?" And he looked at his son with awful eyes, lighted
from behind with growing suspicion.
Public-domain text, read in full here on John Shaqi.
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