It follows logically that the education it instituted and which was founded on the study of Greek and Latin drew a clear line of demarcation between the children thus brought up, who were destined to hold the highest social positions, and the others doomed to inferior tasks and studies. It will therefore be understood that the Renaissance influenced the condition of the workers. It swelled the tide which was carrying society towards class division; it helped to separate still further the tradesman and the manual worker; and above all it separated the artist and the craftsman, those twin brothers, who till then had shared the same life and the same ideals. The artist was no longer the interpreter of the thought of a whole people, but, working for the rich and powerful bankers or princes, who required him to reproduce archaic forms and consequently demanded of him a certain amount of education, he left the ranks of the people, rose to wealth, to the ranks of the upper middle classes, and figured at court; he and his fellows grouped themselves into special brotherhoods such as that of St. Luke at Rome, and before long formed academies inaccessible to the vulgar. Compare the life of Raphael with that of Giotto. In these days, the craftsman remained a working man, lost in the crowd, watching from afar and from his lowly station his successful comrade, who no longer recognized the poor relation he had left behind. Separations of this kind abound in almost every direction. In the Middle Ages grocers and apothecaries, barbers and surgeons, were classed together. But in the sixteenth century the apothecary, on his admission to mastership, had to reply in Latin, and henceforth he no longer considered the spice merchant his equal. So in France, from the year 1514, the bond between the two professions was broken. The historian can easily prove that this separation of art and craft was often harmful to both; that art, isolated from the warm heart of the people, became conventional, cold, stiff, and artificial; that craft, relegated to a lower position, no longer sought for beauty, and was condemned to express itself in inferior, routine work; but, taking the guilds alone, this separation certainly weakened the mediaeval system. Deprived of members whose gifts were their glory, they lost in power as in prestige.