confirmed to the Six Guilds, which formed the merchant aristocracy of
the capital, the precedence which they enjoyed at solemn functions, but
of the thirty-six wardens of these Greater Guilds as they would have
been called at Florence, he formed a High Council of Parisian industry.
Even with the others, the Crown proceeded gently at first. It desired
to absorb, and not to suppress. It realized what an advantage it would
be if these independent institutions, still under the influence of
their feudal origin, could be transformed into State institutions,
protected and obedient! It was with this end in view that Henry III.
decided that their organization, hitherto local, should be extended
throughout the whole kingdom, to the scattered villages as well as
to the towns. The city (urban) guild was therefore converted into a
national organism, and the guild was made compulsory at the same time
that it was put under tutelage. This unification, which placed it under
the direct supervision of royal agents, was, however, only to operate
on paper. It encountered the displeasure of the craft guilds; worse
still, it was in opposition to the first principle of the whole system.
The ordinance allowed the inhabitants of the suburbs to follow their
craft within the cities, and the inhabitants of one town to settle
in any other, with the exception of Paris[120]--a last concession to
an ancient tradition. It was something quite new for craftsmen to
possess equal rights and for crafts to be organized like those of Paris
throughout the whole of France; but it was only in accordance with the
general trend of French civilization. This sudden enlargement of the
guild system, however, was practically its death, and there were many
who from this time did not hesitate to say so openly.[121] The edict,
renewed by Henry IV. in 1597, was next extended to include merchants,
and was completed by the abolition of the _king of the mercers_, who
still exercised a certain amount of authority in the fairs; for even so
trumpery a king made the king at the Louvre uneasy!
Public-domain text, read in full here on John Shaqi.
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