Frontier and pioneer life -- West (U.S.) -- Fiction; Man-woman relationships -- Fiction; Outlaws -- Fiction; Western stories
"What the devil!" ejaculated Joe, who was a blunt man in spite of his
fat. "You want us to keep Jack from fightin', but you don't want us to
hurt the other gent. What you want? Hogtie 'em both?"
"Yes, yes; keep Jack out of Milligan's; but for heaven's sake don't try
to put a hand on Donnegan."
"Why not?"
"For your sakes; he'd kill you, Joe!"
At this they both gaped in unison, and as one man they drawled in vast
admiration: "Good heavens!"
"But go, go, go!" cried the girl.
And she shoved them through the door and into the night.
22
To the people in Milligan's it had been most incredible that Jack Landis
should withdraw from a competition of any sort. And though the girls
were able to understand his motives in taking Nelly Lebrun away they
were not able to explain this fully to their men companions. For one and
all they admitted that Jack was imperiling his hold on the girl in
question if he allowed her to stay near this red-headed fiend. But one
and all they swore that Jack Landis had ruined himself with her by
taking her away. And this was a paradox which made masculine heads in
The Corner spin. The main point was that Jack Landis had backed down
before a rival; and this fact was stunning enough. Donnegan, however,
was not confused. He sent big George to ask Milligan to come to him for
a moment.
Milligan, at this, cursed George, but he was drawn by curiosity to
consent. A moment later he was seated at Donnegan's table, drinking his
own liquor as it was served to him from the hands of big George. If the
first emotions of the dance-hall proprietor were anger and intense
curiosity, his second emotion was that never-failing surprise which all
who came close to the wanderer felt. For he had that rare faculty of
seeming larger when in action, even when actually near much bigger men.
Only when one came close to Donnegan one stepped, as it were, through a
veil, and saw the almost fragile reality. When Milligan had caught his
breath and adjusted himself, he began as follows:
"Now, Bud," he said, "you've made a pretty play. Not bad at all. But no
more bluffs in Milligan's."
"Bluff!" Donnegan repeated gently.
"About your servant. I let it pass for one night, but not for another."
"My dear Mr. Milligan! However"--changing the subject easily--"what I
wish to speak to you about is a bit of trouble which I foresee. I think,
sir, that Jack Landis is coming back."
"What makes you think that?"
"It's a feeling I have. I have queer premonitions, Mr. Milligan, I'm
sure he's coming and I'm sure he's going to attempt a murder."
Milligan's thick lips framed his question but he did not speak: fear
made his face ludicrous.
"Right here?"
"Yes."
"A shootin' scrape here! You?"
"He has me in mind. That's why I'm speaking to you."
"Don't wait to speak to me about it. Get up and get out!"
"Mr. Milligan, you're wrong. I'm going to stay here and you're going to
protect me."
"Well, confound your soul! They ain't much nerve about you, is there?"
Public-domain text, read in full here on John Shaqi.
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