Gunnery in 1858: Being a Treatise on Rifles, Cannon, and Sporting Arms: Explaining the Principles of the Science of Gunnery, and Describing the Newest Improvements in Fire-ArmsGreener, William
History
Gunnery in 1858: Being a Treatise on Rifles, Cannon, and Sporting Arms: Explaining the Principles of the Science of Gunnery, and Describing the Newest Improvements in Fire-Arms
Greener, William
Firearms; Gunnery
I have always written and impressed upon sportsmen the imperative
necessity of obtaining the very best gun that hands could produce; I
urged this sincerely, and for doing so feel myself entitled to the
gratitude of all gunmakers who delight in good work. Yet instead of the
merit of my work being appreciated, I have unfortunately had to contend
with the secret revilings of those who possess not the heart or ability
to compete with me. “A fair field and no favour” has ever been my motto;
and, without egotism, I can safely offer to make a gun or guns against
any maker in the world. I do not claim this ability exclusively; for I
can name several in Birmingham, who, if they have the price, will not
be far behind. I may fearlessly point to the fact that throughout the
whole breadth of England every gunmaker is a copyist of my patterns.
Three months after the opening of the Paris Exhibition, imitations were
found in every gun-maker’s shop in Paris, labelled, “Fusils de chasse a
l’Anglais.”
Both the Belgians and French are making vast strides in competition with
us. In Liege they have very recently purchased guns by most of our
celebrated makers as models; and every part of the gun is being imitated
to the greatest nicety. I have before alluded to twenty-six of Westley
Richards’ guns, forgeries, having been sent to London; in truth they
have taken us as a model, and if we do not _keep going ahead_, depend
upon it we shall be hard run. In every respectable maker’s shop abroad
you will find proof of this fact. I brought to England several specimens
of their productions, and amongst others a pair of imitation “Braziers’
locks;” these have been shown to many makers in Birmingham, and
pronounced unanimously a fair pair of locks: indeed no workman in the
kingdom but would have taken them to be of English manufacture. In Paris
they carry their imitation, _if possible_, farther still. I saw in Le
Page’s establishment some very good work indeed, and said so; remarking
that they were very _little inferior_ to our best English guns.
“_Inferior_, indeed!” said he, “we consider them quite as good, I assure
you:” showing evidently a wish to _have them as good_. The French may
excel us in the laudable desire to improve. Their periodical Exposition
is a proof of this. We should have our “Exposition” also. Look at the
national importance it would give to our artists in all metals! how many
bright men would then spring into notice! what an impetus it gives to
competition. Artists and sculptors exhibit the effects of their genius:
why should not gunmakers also? The highest skill is required in
producing a gun: a first-rate gun is indeed a work of art. Why is it not
done? “Self” is the stumbling-block. The first makers “_par excellence_”
do not encourage it, being jealous of being beaten by some provincial.
There wants unanimity, a co-operative feeling, both in London and
Birmingham. A well-arranged “Mutual Improvement Society” would be the
Public-domain text, read in full here on John Shaqi.
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