Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
But to return to our lady folders and their work. The sheets, as fast
as they are folded, are arranged in piles upon the table, the girl who
gathers the sheets together into separate books following the order of
the _signatures_, or figures on the first page of each sheet.
[Illustration: Sewing.]
At the left of our picture, near the middle of the room, is seen
a gatherer, who is engaged in making up “Webster’s Unabridged
Dictionary.” She is in a narrow isle between two tables, joined at the
foot by a short one. On these three tables one half of the Dictionary
is spread out at a time, in one hundred and fifteen piles of sheets.
She walks down this isle picking a sheet off each pile, and when she
has gone the entire round she has gathered one half of the book. When
these piles are all gathered, the other half of the book is arranged,
and gathered in the same way.
Next, the sheets of the book are put into the stabbing-machine, that
three holes may be made at the inner edge, when the sheets are stitched
together by hand.
The backs of magazines are covered with a strong paste, and the covers
are then put on.
The elevator machinery connecting with each story, of a capacity
for lifting two tons, worthily facilitates the immense work of the
establishment, as with colossal strength it lifts great burdens of
paper, type, machinery, and deposits them on just the floor where they
are needed.
If the first printers could revisit the earth, with what interest would
they make the tour of a modern printing-office! How would they call to
mind their own narrow quarters, poor facilities, and creeping progress,
contrasting them with the convenience, system, swiftness, finish, and
grand results of to-day, in the now beautifully moulded and polished
metal types, the success seemingly gained in setting type by machinery,
and the comprehensive arrangements, of various perfected departments,
all brought under the easy control of human skill! How unlike their
own embryotic efforts “which gave to themselves fame, their art an
existence, and civilization its motive power!”
The first introduction of printing into America was in Mexico, by
the Jesuits, who issued a “Manual for Adults,” in 1540. The first
printing-office in America was established in Cambridge, Mass., in
1638; the first book printed was the “Bay Psalm-Book,” in 1640; the
first newspaper was the “Boston News Letter,” published April 24, 1704.
The first attempt made to print books for the blind was made by the
Abbe Hauy, at Paris, in 1785. The letters were so large, however, the
paper so thick, and the books so bulky and expensive, that they were of
little practical use. No improvement had been made upon this system,
so late as 1830, when the Paris press was still lumbering on in the
old method. A few years later a French author, a teacher of the Paris
school for the blind, writes, “The Americans have effected a revolution
in the art of printing for the blind.”
Public-domain text, read in full here on John Shaqi.
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