Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
and hearts proud and corrupt. Without thee, they would rest in the
shade; shut in a narrow circle, they would be known only to their
associates, and during their lives. By thee, they will bear folly,
mischief, and crime to all men and all ages. See thousands corrupted
with the disease of one! See young men depraved by books whose pages
distill soul-poison! See young women become immodest, false, and hard
to the poor, by books which have poisoned their hearts! See mothers
mourning their sons! See fathers blushing for their daughters! Is
not immortality too dear which costs so many tears and such anguish?
Dost thou desire glory at such a price? Art thou not appalled at the
responsibility with which this glory will weigh down thy soul? Listen
to me, John: live as if thou hadst discovered nothing. Regard thy
invention as a seductive but fatal dream, whose execution would be
useful and holy, if only man was good. But man is evil. And in lending
arms to the evil, art thou not a participator in his crimes?”
“‘I awoke in a horror of doubt! I hesitated an instant; but I
considered that the gifts of God, though they were sometimes very
perilous, were never bad, and that to give an instrument to aid
reason, and advance human liberty, was to give a vaster field to
intelligence and to virtue,--both divine. I pursued the execution of my
discovery.’”
Thus has the art of printing come down to us consecrated by the martyr
struggles of a heroic soul. He died poor, able only to leave a few
books to his loving sister, yet enriching all mankind by the fruits of
his genius. “I bequeath to my sister,” said he in his will, “all the
books printed by me in Strasbourg.”
But which of the voices that the legend represents as speaking to
Gutenberg in his dream, shall prove a true prophet of the art? Shall
its resistless power blast the world with error and crime, or bless
the ages with truth and purity? “The first cries of the press,” says a
historian, “were praise and prayer.” Let its utterances be for religion
and learning, God and humanity; then welcome the hour when the earth
shall be covered with its swiftly multiplying issues, “the leaves of
the tree which are for the healing of the nations.”
THE END.
Transcriber’s Notes
Punctuation, hyphenation, and spelling were made consistent when a
predominant preference was found in this book; otherwise they were not
changed.
Simple typographical errors were corrected; occasional unbalanced
quotation marks retained.
Ambiguous hyphens at the ends of lines were retained.
Illustrations without captions at the beginning and end of most chapters
are decorative headpieces or tailpieces.
Page 52: “He revolved” was printed that way.
Illustration captions on pages 162 and 188: The Psalm number in
“PSALTER, PSALM I.” appears to have been printed as a Roman numeral,
but may be an Arabic “1”.
Page 175: “pierced his roul” may be a misprint for “soul”.
Public-domain text, read in full here on John Shaqi.
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