Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
“Why, that would be dreadful!” cried Anna in dismay. “Thou wouldst be
an old man long before it was done; it would even take thy life-time!”
“Yes, Anna, and this process of engraving fine letters on blocks, when
pursued closely, is dimming to the eyes; I should be blind before my
work was half done.”
“But thou couldst divide thy labors with thy workmen, couldst thou not?”
“Aye, if I can persuade them to undertake so formidable an enterprise.
But the men are getting weary of large works, and beg me to choose
smaller ones; they assert that the new process is no better for a
large book than copying. Perhaps, however, we can issue the Gospels
gradually, by taking one book at a time.”
“Perhaps thou canst,” echoed Anna sadly.
Although Gutenberg was depressed when he thought of the immense labor
involved in imprinting so large a work as the Bible, yet he was not
wholly disheartened. This was the secret of his success; he would not
give up; was not frightened by difficulties; what the faint-hearted
would deem impossible, he feared not to attempt. The art of printing
would have remained undiscovered until this day without this courageous
perseverance.
Gutenberg said nothing to his associates about attempting the execution
of the whole Bible; indeed, he dared not entertain the idea himself;
but he proposed that they publish the Gospels. They thought this too
large a work. He replied that they could imprint the Gospel of St.
Matthew, and do as seemed best about the remainder; this was complete
in itself, and would find a ready sale.
Accordingly they were soon hard at the task of engraving blocks for the
Gospel of Matthew. Dritzhn demurred, as he mechanically toiled away,
saying, “Unless prospects brighten, we shall never get back our money.”
Fault-finding is contagious; and Hielman and Riffe soon manifested
a similar spirit. Those were gloomy days. Gutenberg meanwhile said
little, but wrought at his block with renewed vigor. It was nearly
completed; a few turns and gashes of the keen-pointed instrument, and
it would be done; when by a slip of the hand the wood was split asunder!
Dritzhn looked up aghast, as much as to say, “How can we afford this
great waste of time and labor?” Gutenberg’s quick eye interpreted the
glance, and his ingenuity was put to the test of repairing the loss. He
commenced fitting the block together in order to save some of the work
at least. While thus engaged, the thought occurred to him, What if the
carved block were broken up into separate letters, so that they might
be put together in any words desired?
He seized his knife and split the wood into the letters carved on its
surface. Thus he had wooden type, which he arranged in various words.
The light of a great invention had dawned. Absorbed in thoughts of its
advantages, he heeds not the curious eyes of his comrades, as they
intently regard him, wondering at his apparently aimless performance.
Public-domain text, read in full here on John Shaqi.
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