Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
“But unless God interposes,” said Gutenberg, “I have no hope that I
shall ever return to my art.”
At the close of the lawsuit, Gutenberg found himself overwhelmed with
debt. His presses, type, and all his printing materials were destroyed.
He was a poor man, and must start anew in the world. And such was the
popular prejudice against his beloved art, that he saw it was useless
to attempt it again. Besides, Riffe and Hielman were now wholly averse
to the business; they urged that it had never been profitable, and that
defeat and disaster had attended its prosecution. It only remained for
them to resume the lapidary trade in the little shop of Gutenberg’s
cottage. This served a good purpose in allaying the excitement which
had been stirred up by the revelations of the lawsuit. And the inventor
was thankful that he had something positive to fall back upon in the
hour of his extremity, and often contrasted his condition with what it
would have been otherwise.
With the weight of a bitter disappointment resting upon him, he wrought
successfully at his trade, despite the efforts of certain evil
disposed persons, who sought to crush him in the hour of his defeat.
Now he had little intercourse with his fellow-citizens and the monks
of the Cathedral, save in the way of business. It was the time of his
reverses, and he had fewer friends than formerly.
By constant application he managed to get a comfortable support and pay
his most pressing liabilities; for the rest he suppressed his noble
tastes. It was vain to stem the tide of poverty, ill-will, and evil
surmisings which would infallibly meet him, had he the means even to
attempt the prosecution of his favorite aims. Yet in his dreams he was
often cutting type and working his press as of old. How he sighed to
find them only dreams!
Thus, with alternations of hopes and fears, the latter predominating,
passed the period till the close of 1441, at which time he was glad
to be released from all connection with Riffe and Hielman. There was
little congeniality to make their daily intercourse agreeable, and no
one of the firm proposed another term of contract.
[Illustration]
XII.
Congenial Quiet.--Making Type again.--Gutenberg issues “Absies.”
--Peter Schoeffer.--Decides to remove to Mentz.--Emotions of
Gutenberg.--Fraternal Sympathy.--The Meeting with Faust.--Table
Talk.--Removal.
The dissolution of the firm was in some respects a benefit to the
lapidary. He had time for quiet thought, and, as in years gone by, his
shop was his sanctum. Feeling at ease, his work progressed rapidly,
and his day’s task was often accomplished ere the sun declined, when
instinctively his hand followed the bent of his mind, and engaged
in cutting _stucke_. He said nothing of this to Anna, until, by
accumulations of spare hours’ work, he had made a fount of type. He
then surprised her by showing his treasures.
Public-domain text, read in full here on John Shaqi.
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