Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
This was ready for purchasers by August 1457. It was in the highest
style of the printing art of the age, and could not be excelled. As
Faust and Schoeffer gazed on its beautiful pages, how could they forget
the inventor who designed the publishing of the work, and labored with
them in executing it full thirty long painstaking months! Yet they
uttered few words of acknowledgment. For two years they were occupied
in striking off, binding, embellishing, and selling the Psalter, with
the additional labor of casting a new fount of type. While Schoeffer
and his assistants were engaged in this absorbing toil, Faust again
visited Paris to dispose of the Psalter. By this means he replenished,
once more, the treasury of the firm, and returning about the time the
new fount was finished, they printed the “Durandi.”
The next year, 1460, the “Constitutiones” appeared, and in 1462 a new
edition of the Latin Bible. This last was the eventful year in which
the city of Mentz was taken, sacked, and plundered by the Elector
Adolphus of Nassau. Such was the confusion and distraction occasioned
by this unlooked-for event, that almost all business was suspended.
The journeyman printers, being suddenly thrown out of employment, fled
panic-stricken to other countries; and considering themselves freed
from their oath, the great secret of thirty years was spread abroad.
Faust and Schoeffer, left almost alone in their printing rooms,
effected little for some time. At length Schoeffer’s busy brain hit
upon something new in printing; and with his usual patience and
assiduity he fell to casting a fount of Greek type, and in 1465, some
little time after Gutenberg had retired from his art, issued “Cicero de
Officiis,” using the new Greek type. On occasion of printing anything
of special importance, Faust continued to visit Paris, then the chief
seat of learning; and so great a work as this of Cicero in Greek would
of course be welcomed with avidity by the professors and students in
the University. As soon as possible, therefore, he hastened to that
city, furnished with a good supply of the much-coveted volume. This
was early in 1466. He was received with enthusiasm; for such had been
the reputation of the previous works circulated by him in the French
metropolis, that he had a large circle of admiring patrons and friends.
But alas for the uncertainty of earthly things! while yet in the midst
of success and gratulation, he was seized with the plague, and died
after an illness of a few hours! The Parisians were loud in their
expressions of grief, and a large concourse gathered at his funeral.
The learned men and nobility of the city assembled; distinguished
honors were paid him; and the sequel was, that in commemoration of
the signal services he had rendered them, they continued a generous
pecuniary reward to his descendants.
Public-domain text, read in full here on John Shaqi.
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