They followed Charlotte round the rooms of Ladingford Manor. There on
the walls were the tapestries that had inspired John Lambert, and there
were the tapestries even more beautiful that he himself had woven. On
the tables were the books John Lambert had printed, which gave
positively the aspect of being treasures by the discretion of their
external appearance. In other rooms hung the original pictures of
hackneyed mezzotints; and how rare they looked now with their velvety
pigments of emerald and purple, of orange, cinnabar and scarlet glowing
in the tempered sunlight. Margaret, as she moved from room to room,
seemed with her weight of dusky hair and fastidious remoteness to belong
to the company of lovely women whose romances filled these splendid
scenes; but Pauline was life, irradiating with her joy each picture and
giving to it the complement of its own still beauty.
"Mrs. Lambert keeps very well, miss," said Charlotte as they came out
again from the house. "But of course she doesn't get about much now. Yet
we can't really complain, especially with this fine weather."
"Would you like some more beer?" Mrs. Lambert asked, when they joined
her again in the yew parlour.
They said they were no longer thirsty; and, having thanked her for the
pleasures of the visit, they left her in the past, returning by the
pale green path across the meadows to where the Naiad lay by the old
bridge.
"Oh, I did want some tea," sighed Margaret.
"I love Mrs. Lambert," cried Pauline, dancing through the meads. "Wasn't
it touching of her to offer Margaret beer? Oh, Guy, when we're married
and when you die and I receive young poets at Plashers Mead, shall I
offer their future sisters-in-law home-brewed beer? Oh, but I'm sure I
shall forget to offer them anything."
Public-domain text, read in full here on John Shaqi.
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