Guy Kenmore's Wife, and The Rose and the LilyMiller, Alex. McVeigh, Mrs.
Philosophy
Guy Kenmore's Wife, and The Rose and the Lily
Miller, Alex. McVeigh, Mrs.
Fiction
He is bent on losing himself and his tormenting thoughts in the deepest
oblivion he can find, but in less than a week he succumbs to fatigue and
mental agony, and decides that he is "fagged out." Either he must
recuperate or he must die.
Life is sweet to us all; even to Vane, with his dearest hope gone from
him.
He decides to run down to the sea-shore a little way, and brace his
constitution with the life-giving sea-breezes.
He hears of a quiet place, frequented by invalids, authors, and poets,
and such quiet people, "packs his traps" and goes down by the first
train. Behold, it is a coast such as Tennyson portrays:
"All sand and cliff and deep-inrunning cave."
"I shall die of memory and stagnation here in less than a week," he
tells himself grimly, as he paces along the yellow sands up to his
balconied hotel, where a few dispirited invalids and long-haired poets
eye the handsome young American with a dreamy, listless curiosity. "I
shall find health and quiet here with a vengeance. I shall go mad with
this eternal sea!"
And after one night with the long, low moan of the "sad sea waves" in
his ears, and the ghosts of the past stalking drearily in the haunted
darkness, he stoutly prepares to "fold up his tent like the Arabs, and
silently steal away" to "fresh fields and pastures new." The spirit of
unrest is upon him; strange mood for one who all his life-long had been
indolent, languid, not to say, in Reine's plain English, _lazy_.
But while he chews the end of his morning segar, and restlessly
meditates on the where to go next, a boy comes to him with a pretty
little three-cornered note. In stupid astonishment he takes it and holds
it unopened in his hand.
"I was to take back an answer, sir," the lad ventures, as a gentle
reminder.
Then Vane turns it over and looks at the superscription. It is addressed
to himself in a pretty, graceful hand, with a good deal of character in
it.
Unfolding it, he reads, with staring eyes:
"MR. CHARTERIS:--Arriving at the hotel an hour ago, I learned, on
inquiry, that you were at the 'Haven of Rest.' Will you come to me
for ten minutes? Hastily,
"REINE LANGTON."
The earth seems to yawn beneath Mr. Charteris' feet. He mutters, on the
uncontrollable spur of the moment, a profane expletive:
"_The_ devil!"
"Eh, what, sir?" the lad mutters, uncomprehendingly.
The words recall Mr. Charteris to his senses, he having been momentarily
shocked out of them.
"Who gave you this note, boy!" he demands, sternly.
Really, it seems to him there must be some mistake. Reine, his unloved
wife, here on Albion's wave-washed shore--impossible.
But the lad replies, distinctly:
"A young lady at the Sea View Hotel, a very pretty lady, with big black
eyes."
This description is too suggestive of Reine to admit of further doubt.
With a suppressed groan, Vane tears a leaf from his memorandum book, and
scribbles, hastily:
Public-domain text, read in full here on John Shaqi.
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