Guy Kenmore's Wife, and The Rose and the LilyMiller, Alex. McVeigh, Mrs.
Philosophy
Guy Kenmore's Wife, and The Rose and the Lily
Miller, Alex. McVeigh, Mrs.
Fiction
CHAPTER XXII.
"Go and tell the stewardess to prepare a bed quickly for this young
lady," said the captain, turning to the cabin-boy.
The boy disappeared in the lower regions of the vessel, returning
presently with a plump, good-natured-looking woman, who had a "full
blown comeliness, white and red."
"An' indade, Cap'en Dill, sorra a bit spare bed is there, saving the
little cuddy-hole where Mrs. Odell's maid slept afore she died."
"Prepare that, then, Mrs. McQueen. Don't you see what a deuce of a hurry
we are in?" returned Captain Dill.
"Faix, and it'll be by Mrs. Odell's leave, then," says Mrs. McQueen.
"Shall I ask her? It's a bit cross and ailing she is the day."
"Ask her then, and be in a hurry," he answers. "If she refuses, the
poor girl shall have my bed, and I'll bunk on deck with a blanket."
He is saved the necessity of the sacrifice, however, for Mrs. Odell,
whoever she may be, yields an ungracious consent to the appropriation of
the defunct maid's bed, and the still unconscious girl is removed
thereto.
Long days afterward she opens her eyes consciously for the first time
upon this world, after a long battle has been fought with fever, and
delirium, and greedy death; opens her eyes with a passionate heart-cry
on her poor, fever-parched lips:
"Vane, dear Vane!"
There is a soft swish of silk as of a lady rising from her chair, and
Reine's large, hollow, dark eyes follow the sound.
She lies on a small, white bed in a "cuddy-hole" indeed, herself, but a
small door is propped open, showing just beyond a very tiny, but elegant
saloon, furnished royally enough for a princess, with hangings of purple
velvet and gold, and softest couches and chairs, a carpet of velvet
pile, picturesque rugs strewn about the floor, small paintings, each
perfect gems of art, adorning the walls. Moving slowly through this
luxurious saloon comes a lady, on whom Reine's feeble gaze is instantly
riveted.
A form of medium hight, with narrow, stooping shoulders, and a
middle-aged face with a strange beauty all its own--the beauty of
brilliant eyes, waxen pallor, and hectic-flushed cheeks, that the deadly
disease, consumption, bestows upon its victims. Clothed with almost
barbaric splendor, with rustling silks and velvets, and sparkling jewels
that seemed to flash fire in the dim saloon, she was yet one upon whom
the heart ached to gaze, for by her terrible emaciation, and hollow,
fever-flushed cheeks, and pain-drawn lips, she was one that cruel death
had plainly marked for his own.
In wondering silence Reine's dark eyes lift to the strange woman's face
as she comes to her side, diffusing a delicate odor of _attar du rose_
as she moves. She speaks in a low, pleasantly-modulated voice,
interrupted by a slight, hacking cough:
"You spoke, did you not? Is there anything you wish?"
"Yes, I want Vane," Reine answers, in a weak, childish voice, forgetful,
or momentarily unconscious, of all that has passed since she was
sundered from her husband's side.
Public-domain text, read in full here on John Shaqi.
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